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James Stewart Williams, son of James Thomas Williams and Isabelle Bruce Stewart, was born 5 August 1901 in Provo, Utah. He married Norma Jean Allen (1905-1994), daughter of James Edward Allen and Stella Speakman, in 1927 in Salt Lake City, Utah. They had four children. He died in 1984 in Logan, Utah. Ancestors, descendants and relatives lived mainly in England, Connecticut, Utah and California.
"Genealogy notes regarding the Williams, King, Dunway, Rolph, Crowell and related families of southwestern Ohio and northeastern Kentucky, with family photographs and an ending section highlighting interesting stories from the life of the author."--Back cover.
In a post-Macpherson, post-9/11 world, criminal justice agencies are adapting their responses to criminal behaviour across diverse ethnic groups. Race, Crime and Resistance draws on contemporary theory and a range of case studies to consider racial inequalities within the criminal justice system and related organisations. Exploring the mechanisms of discrimination and exclusion, the book goes beyond superficial assumptions to examine the ensuing processes of mobilisation and resistance across disadvantaged groups. Empirically grounded and theoretically informed, the book critically unpicks the persisting concepts of race and ethnicity in the perceptions and representations of crime. Articulate and sensitive, the book clarifies complex ideas through the use of chapter summaries, case studies, further reading and study questions. It is essential reading for students and scholars of criminology, race and ethnicity, and sociology.
Following the bestselling publication of THE KENNETH WILLIAMS DIARIES, the devastating self-portrait of one of our most loved and complex performers is completed with this marvellous selection of his letters. This is a wonderful treasure trove of correspondence with all manner of people, including Alec Guinness, Maggie Smith, Joe Orton, Richard Burton and Elizabeth Taylor, and the Stokers' Mess of HMS Leverton. Kenneth Williams took letters very seriously, and he was always disgusted by a morning that failed to provide him with some material to pore over. Letters called forth the performer in Williams in a way that his diaries never did: many of them are virtual comic monologues, and in general they suggest more strongly than the diaries the likeable and constructive side of a man who remains, nevertheless, as outrageous and 'difficult' as ever.
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