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Modernism on Fleet Street
British modernism came of age at a time of great cultural anxiety about the state of journalism. The new newspapers, with their brief, flashy articles, striking visuals, hyperbolic headlines, and sensational news, stood at the center of debates about reading in the period, seeming to threaten the viability of representative democracy, the health and vitality of the language, and the very future of literature itself. Patrick Collier's study brings an impressive array of archival research to his exploration of modernism's relationship to the newspaper press. People who sought to make their way as writers could neither remain neutral on this issue nor abandon journalism, which offered an irreplaceable source of income and self-advertisement. Collier discusses five modern writers-T. S. Eliot, James Joyce, Virginia Woolf, Rebecca West, and Rose Macaulay-showing how their work takes part in contemporary debates about journalism and examining the role journalism played in establishing their careers. In doing so, he uncovers tensions and contradictions inherent in the identity of the 'serious artist' who relied on the ephemeral forms of journalism for money and reputation.
The Auld Sod
When thousands of Irish sailed to America to escape The Great Famine of the 1850s, most treasured among their belongings were memories of Eire . . . the auld sod, they called it. And, when the hallowed turf of The Old Course at St. Andrews is described in the parlance of Scots, it is revered as the auld sod. Echoes of these proud Gaelic voices come to life in the adventures of The Auld Sod. Set in the British Isles of the 1920s, a good-natured Scot, a headstrong Irishman, and a disagreeable Brit collide in a rollicking tale of treachery and intrigue. Innocent lives are shattered by crimes of passion, but beneath the anguish of loves lost and friendships betrayed is a study in reconciliation....
Parliamentary Papers
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A Spectacular Secret
This incisive study takes on one of the grimmest secrets in America's national life—the history of lynching and, more generally, the public punishment of African Americans. Jacqueline Goldsby shows that lynching cannot be explained away as a phenomenon peculiar to the South or as the perverse culmination of racist politics. Rather, lynching—a highly visible form of social violence that has historically been shrouded in secrecy—was in fact a fundamental part of the national consciousness whose cultural logic played a pivotal role in the making of American modernity. To pursue this argument, Goldsby traces lynching's history by taking up select mob murders and studying them together with...
Before the Raj
In this history of colonial literary production, James Mulholland argues that the East India Company was a central actor in the institutionalization of anglophone literary culture in India. as the EIC employed people from a variety of ethnic and national origin, it also expanded its cultural infrastructure, from presses and newspapers to poetry collections, letters, papermaking and selling, circulating libraries, an amateur theaters. Recovering this rich archive from a network of authors, reading publics, and corporate agents, Before the Raj shows how regional reading and writing reflected the knotty geopolitical situation and the comingling of Anglo and Indian cultures at a moment when the subcontinent's colonial future was not yet clear. The "translocal" links among Madras. Calcutta, Bombay, and settlements surrounding the Bay of Bengal demonstrate that anglophone literature adapted itself to geographical politics and social circumstances rather than being simply imitative of the works produced in the English metropole. Book jacket.
The Global Histories of Books
This book is an edited volume of essays that showcases how books played a crucial role in making and materialising histories of travel, scientific exchanges, translation, and global markets from the late-eighteenth century to the present. While existing book historical practice is overly dependent on models of the local and the national, we suggest that approaching the book as a cross-region, travelling – and therefore global- object offers new approaches and methodologies for a study in global perspective. By thus studying the book in its transnational and inter-imperial, textual, inter-textual and material dimensions, this collection will highlight its key role in making possible a global imagination, shaped by networks of print material, readers, publishers and translators.
Modernity and the Periodical Press
This book explores the role of periodicals in the negotiation of modernity during the late 19th and early 20th centuries and considers diverse materials from both sides of the Atlantic, including modernist magazines, advertising campaigns, comics, and scrapbooks.
Winifred Holtby, “A Woman In Her Time”
Winifred Holtby, “A Woman In Her Time”: Critical Essays brings together for the first time a range of scholarly perspectives on one of Britain’s best-loved regional authors. Remembered for her vivid portrayal of 1930s rural Yorkshire in her final novel, South Riding (1936) and for her friendship with Vera Brittain, Winifred Holtby (1898-1935) has become a key figure for those interested in British literature, politics, and culture between the wars. Epitomising the professional independence and political passion which we have come to associate with the newly emancipated women of her era, Holtby’s was a life devoted to myriad causes and directed to the pressing issues of her day. With ...
