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Modernism on Fleet Street
British modernism came of age at a time of great cultural anxiety about the state of journalism. The new newspapers, with their brief, flashy articles, striking visuals, hyperbolic headlines, and sensational news, stood at the center of debates about reading in the period, seeming to threaten the viability of representative democracy, the health and vitality of the language, and the very future of literature itself. Patrick Collier's study brings an impressive array of archival research to his exploration of modernism's relationship to the newspaper press. People who sought to make their way as writers could neither remain neutral on this issue nor abandon journalism, which offered an irreplaceable source of income and self-advertisement. Collier discusses five modern writers-T. S. Eliot, James Joyce, Virginia Woolf, Rebecca West, and Rose Macaulay-showing how their work takes part in contemporary debates about journalism and examining the role journalism played in establishing their careers. In doing so, he uncovers tensions and contradictions inherent in the identity of the 'serious artist' who relied on the ephemeral forms of journalism for money and reputation.
The Auld Sod
When thousands of Irish sailed to America to escape The Great Famine of the 1850s, most treasured among their belongings were memories of Eire . . . the auld sod, they called it. And, when the hallowed turf of The Old Course at St. Andrews is described in the parlance of Scots, it is revered as the auld sod. Echoes of these proud Gaelic voices come to life in the adventures of The Auld Sod. Set in the British Isles of the 1920s, a good-natured Scot, a headstrong Irishman, and a disagreeable Brit collide in a rollicking tale of treachery and intrigue. Innocent lives are shattered by crimes of passion, but beneath the anguish of loves lost and friendships betrayed is a study in reconciliation....
Parliamentary Papers
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Before the Raj
Introduction: Translocal Anglo-India -- A Cultural Company-State and the Colonial Public Sphere -- Newspapers and Reading Publics in Eighteenth-Century India -- The Vagrant Muse: Fashioning Reputation across Eurasia -- Undoing Britain in Bengal -- Tristram Shandy in Bombay -- Agonies of Empire: Captivity Narratives and the Mysore Wars, 1767-1799 -- Literary Culture of Colonial Outposts: Penang, Sumatra, Java, 1771-1816.
The Global Histories of Books
This book is an edited volume of essays that showcases how books played a crucial role in making and materialising histories of travel, scientific exchanges, translation, and global markets from the late-eighteenth century to the present. While existing book historical practice is overly dependent on models of the local and the national, we suggest that approaching the book as a cross-region, travelling – and therefore global- object offers new approaches and methodologies for a study in global perspective. By thus studying the book in its transnational and inter-imperial, textual, inter-textual and material dimensions, this collection will highlight its key role in making possible a global imagination, shaped by networks of print material, readers, publishers and translators.
Modernity and the Periodical Press
This book explores the role of periodicals in the negotiation of modernity during the late 19th and early 20th centuries and considers diverse materials from both sides of the Atlantic, including modernist magazines, advertising campaigns, comics, and scrapbooks.
Winifred Holtby, “A Woman In Her Time”
Winifred Holtby, “A Woman In Her Time”: Critical Essays brings together for the first time a range of scholarly perspectives on one of Britain’s best-loved regional authors. Remembered for her vivid portrayal of 1930s rural Yorkshire in her final novel, South Riding (1936) and for her friendship with Vera Brittain, Winifred Holtby (1898-1935) has become a key figure for those interested in British literature, politics, and culture between the wars. Epitomising the professional independence and political passion which we have come to associate with the newly emancipated women of her era, Holtby’s was a life devoted to myriad causes and directed to the pressing issues of her day. With ...
The Vatican, the Bishops and Irish Politics 1919-39
A detailed study of the political relations between church and state in modern Ireland, this work is also an analysis of domestic politics within the context of Anglo-Vatican relations. Dealing exclusively with high ecclesiastical politics, it assesses the relative political strength of both the British and the Irish at the Vatican and challenges 'the myth of English dominance over the Papacy'. Dermot Keogh traces the 'quiet diplomacy' of bishops, politicians and the Vatican from the turbulent years of 1919-21, through the civil war period and the rule of William T. Cosgrove and Cumann na nGaedheal, to the re-emergence of Eamon de Valera and Fianna Fail as exponents of Catholic nationalism in the 1930s. The book draws extensively on unpublished documents and, for the first time, explores with the aid of primary sources the exchanges between bishops, politicians and the Vatican over a twenty-year period. It is an important contribution to the history of modern Ireland, Irish-Vatican and Anglo-Vatican relations, whose findings will lead to a radical revision of interpretations of Irish church-state relations.
