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Madness and Cinema
Madness and Cinema offers a radical approach to the issue of what happens when we watch films. By exploring cinema's relationship to meaning and proposing new ways to read cinema through psychoanalysis, this book develops the idea that the spectator engages in what has previously been described as an act of madness. By considering some of the key concepts from Freud and Lacan, as well as ideas from Derrida and Foucault, we are shown the common features that cinema and madness share. The film spectator is shown as the psychotic, neurotic and hysteric, as the book examines the ways in which the foundations of culture and meaning are challenged when we become the spectator of a film.
New Developments in Film Theory
This book examines some of the most significant recent developments in film and critical theory. The book is divided into four sections, each dealing with established and alternative critical concepts and approaches. These four are: The Gaze and Subjectivity; Film and Discourse; Film and Culture; Film and Meaning. Each of these topics is explored using concepts from post-structuralism and postmodernism, working towards the idea that the relationship between film studies and critical theory is a vital and diverse interplay of rich and exciting ideas.
Intimacy and the Anxieties of Cinematic Flesh
In a "return" to Edmund Husserl and Sigmund Freud, Intimacy and the Anxieties of Cinematic Flesh explores how we can engage these foundational thinkers of phenomenology and psychoanalysis in an original approach to film. The idea of the intimate spectator caught up in anxiety is developed to investigate a range of topics central to these critical approaches and cinema, including: flesh as a disruptive state formed in the relationships of intimacy and anxiety; time and the formation of cinema's enduring objects; space and things; the sensual, the "real" and the unconscious; wildness, disruption, and resistance; and the nightmare, reading "phantasy" across the critical fields. Along with Husse...
Critical Cinema
Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics, and independent filmmakers as well as for any reader interested in new perspectives on culture and film.
The Theory of Absence
Explores how absence, an unmarked characteristics, forms a key component in post-structural analysis and, as a concept, can unlock doors in understanding key principles of Western thought.
Cultural Studies and Critical Theory
The second edition of Cultural Studies and the New Humanities provides a comprehensive overview of issues in the humanities at the turn of the new millennium, providing historical background, defining key terms, and introducing the ideas of key thinkers. This second edition has been thoroughly revised and updated, and new chapters have been added about the rise of visual cultures and the fierce contemporary debate between identity politics and queer theory.
The Theory of Absence
Explores how absence, an unmarked characteristics, forms a key component in post-structural analysis and, as a concept, can unlock doors in understanding key principles of Western thought.
Cultural Studies and the New Humanities
The contemporary humanities--which stretch from "intertextuality" to "queer theory"--are a disciplinary minefield of new theories and controversies. Where does the traditional view of the humanities belong in today's arena? Or does it still belong to begin with? And how should that view be defined nowadays? This book explores some of the new ways of thinking about the liberal arts and human sciences by providing historical backgrounds, defining key terms, and introducing the ideas of important personalities.
Encountering Cruelty: The Fracture of the Human Heart
Interest in recent years in reconciliation and conflict transformation has witnessed a great deal of attention to building a future through forgiveness and preventative measures in order to impede egregious wrongdoing. This effort for a reconciled future is absent reflection on the nature of cruelty. Cruelty has always been apparent in massive acts of wrongdoing and yet is repeatedly concealed in our assessment of the acts themselves. This book is a theologically honest and deep-structure exploration of cruelty in its personal, communal and institutional encounters in human life. Drawing on Nietzsche's challenge of cruelty to the western tradition, the work offers a comprehensive study of how cruelty undermines care, trust, respect and justice – all those elements of human reciprocity that mark our lives as interdependent beings. The work concludes with a tightly written Epilogue on interpreting the theological meaning and accessibility of reconciliation today.
Speaking about Torture
This collection explores torture from the array of approaches offered by the arts and humanities. It contends that these disciplines advance the discussion and eradication of torture by speaking about it in terms cognizant of the assaults on truth, memory, subjectivity, and language that the humanities theorize and that experience of torture perpetuates.
