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This book provides a critical interpretation of the construction of Irish national identity in the longer perspective of history. Drawing on recent sociological theory, the authors demonstrate how national identity was invented and codified by a nationalist intelligentsia in the late nineteenth century. The trajectory of this national identity is traced as a process of crisis and contradiction. One of the central arguments is that the negative implications of Irish national identity have never been fully explored by social science.
This book provides a critical interpretation of the construction of Irish national identity in the longer perspective of history. Drawing on recent sociological theory, the authors demonstrate how national identity was invented and codified by a nationalist intelligentsia in the late nineteenth century. The trajectory of this national identity is traced as a process of crisis and contradiction. One of the central arguments is that the negative implications of Irish national identity have never been fully explored by social science.
Contemporary critical theory’s methodology is currently taking shape under the impact both of transformative internal develops within the discipline, and of external pressures and incentives arising from a series of international debates. In this book, Piet Strydom presents a groundbreaking treatment of critical theory’s methodology, using as a base the reconstruction of the left-Hegelian tradition, the relation between critical theory and pragmatism, and the associated metatheoretical implications. He assesses extant positions, presents a detailed yet comprehensive restatement and development of critical theory’s methodology, compares it with a wide range of current concepts of social...
Why has nationalism proved so durable? What are the roots of its appeal? This sharp and accessible book slices through the myths surrounding nationalism and provides an important new perspective on this perennial subject. The book argues that: nationalism is persistent, not merely because of its specific ideological appeal, but because it expresses some of the major conflicts in modernity; nationalism reflects and reinforces four key trends in western social development: state formation, democratization, capitalism and the rationalization of culture; the forms of nationalism can be organized into a comprehensive typology which is outlined in the course of this study; post-nationalism and cosmopolitanism are significant innovations in the debate about nation-states and nationalism; and that the new radical nationalisms have become powerful new movements in the global age.
The book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture.
Fifty years after the Second Vatican Council, architectural historian Robert Proctor examines the transformations in British Roman Catholic church architecture that took place in the two decades surrounding this crucial event. Inspired by new thinking in theology and changing practices of worship, and by a growing acceptance of modern art and architecture, architects designed radical new forms of church building in a campaign of new buildings for new urban contexts. A focussed study of mid-twentieth century church architecture, Building the Modern Church considers how architects and clergy constructed the image and reality of the Church as an institution through its buildings. The author exa...
In the wake of addressing multiculturalism, transculturalism, racism, and ethnicity, the issue of xenophobia and xenophilia has been somewhat marginalized. The present collection seeks, from a variety of angles, to investigate the relations between Self and Other in the New Literatures in English. How do we register differences and what does an embrace signify for both Self and Other? The contributors deal with a variety of topics, ranging from theoretical reflections on xenophobia, its exploration in terms of intertextuality and New Zealand/Maori historiography, to analyses of migrant and border narratives, and issues of transitionality, authenticity, and racism in Canada and South Africa. Others negotiate identity and alterity in Nigerian, Malaysian, Australian, Indian, Canadian, and Caribbean texts, or reflect on diaspora and orientalism in Australian-Asian and West Indian contexts.