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Britain emerged from war a changed country, facing new social, industrial and cultural challenges. Its documentary film tradition – established in the 1930s and 1940s around legendary figures such as Grierson, Rotha and Jennings – continued evolving, utilising technical advances, displaying robust aesthetic concerns, and benefiting from the entry into the industry of wealthy commercial sponsors. Thousands of films were seen by millions worldwide. Received wisdom has been that British documentary went into swift decline after the war, resurrected only by Free Cinema and the arrival of television documentary. Shadows of Progress demolishes these simplistic assumptions, presenting instead a...
A dark comedy about the stratification of society; unforgiving big business, socially acceptable insanity and a search for a reality where one can live and find happiness in the midst of it all...and there is the timeless wisdom... always appreciate and support your local strippers.
In The Scottish Enlightenment Abroad, Janet Starkey examines the lives and works of Scots working in the mid eighteenth century with the Levant Company in Aleppo, then within the Ottoman Empire; and those working with the East India Company in India, especially in the fields of natural history, medicine, ethnography and the collection of Arabic and Persian manuscripts. The focus is on brothers from Edinburgh: Alexander Russell MD FRS, Patrick Russell MD FRS, Claud Russell and William Russell FRS. By examining a wide range of modern interpretations, Starkey argues that the Scottish Enlightenment was not just a philosophical discourse but a multi-faceted cultural revolution that owed its vibrancy to ties of kinship, and to strong commercial and intellectual links with Europe and further abroad.