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Documenting the Undocumented
Looking at the work of Junot Díaz, Cristina García, Julia Alvarez, and other Latino/a authors who are U.S. citizens, Marta Caminero-Santangelo examines how writers are increasingly expressing their solidarity with undocumented immigrants. Through storytelling, these writers create community and a sense of peoplehood that includes non-citizen Latino/as. This volume also foregrounds the narratives of unauthorized migrants themselves, showing how their stories are emerging into the public sphere. Immigration and citizenship are multifaceted issues, and the voices are myriad. They challenge common interpretations of "illegal" immigration, explore inevitable traumas and ethical dilemmas, protes...
Exile Identity, Agency and Belonging in South Africa
This book examines the experiences of 49 second-generation exiles from South Africa. Using “generation” as an analytical concept, it investigates the relational, temporal and embodied nature of their childhoods in terms of kinship relations, life cycle, cohort development and memory-making. It reveals how child agents exploited the liminal nature of exile to negotiate their sense of identity, home and belonging, while also struggling over their position and power in formal Politics and informal politics of the everyday. It also reflects upon their political consciousness, identity and sense of civic duty on return to post-apartheid South Africa, and how this has led to the emergence of the Masupatsela generational cohort concerned with driving social and political change in South Africa.
Killer Crónicas
A woman living and communicating in multiple lands, Susana Chávez-Silverman conveys her cultural and linguistic displacement in humorous, bittersweet, and even tangible ways in this truly bilingual literary work. These meditative and lyrical pieces combine poignant personal confession, detailed daily observation, and a memorializing drive that shifts across time and among geocultural spaces. The author’s inventive and flamboyant use of Spanglish, a hybrid English-Spanish idiom, and her adaptation of the confessional "crónica" make this memoir compelling and powerful. Killer Crónicas confirms that there is no Latina voice quite like that of Susana Chávez-Silverman. Includes a chapter that was awarded first prize in El Andar magazine’s Chicano Literary Excellence Contest in the category of personal memoir.
Ethnographies of Islam in China
In the late 1970s Islam regained its force by generating novel forms of piety and forging new paths in politics throughout the world, including China. The Islamic revival in China, which came to fruition in the 2000s and the 2010s, prompted increases in government suppression but also intriguing resonances with the broader Muslim world—from influential theoretical and political contestations over Muslim women’s status, the popularization of mass media and the appearance of new patterns of consumption, to increases in transnational Muslim migration. Although China does not belong to the “Islamic world” as it is conventionally understood, China’s Muslims have strengthened and expande...
Theory After Theory
Theory After Theory provides an overview of developments in literary theory after 1950. It is intended both as a handbook for readers to learn about theory and an intellectual history of the recent past in literary criticism for those interested in seeing how it fits in with the larger culture. Accessible but rigorous, this book provides a wealth of historical and intellectual context that allows the reader to make sense of the movements in recent literary theory.
Dissatisfactions
"Dissatisfactions examines Chicano/Latino stylized dissatisfactions with both the US nation-state and the activism responding to systemic state violence within a very contentious post-1968 Los Angeles"--
Exile Cultures, Misplaced Identities
Exile Cultures, Misplaced Identities takes a transnational and transcultural approach to exile and its capacities to alter the ways we think about place and identity in the contemporary world. The edited collection brings together researchers on exile in international perspective from three continents who explore questions of exilic identity along multiple geopolitical and cultural axes—Cuba, the USA and Australia; Colombia and the USA; Algeria and France; Italy, France and Mexico; non-Han minorities and Han majorities in China; China, Tibet and India; Japan and China; New Caledonia, Vietnam and France; Hungary, the USSR, and Australia; and Germany, before and after unification. The international and crosscultural span of this collection represents an important addition to the fields of exile criticism and cultural identity studies. Exile Cultures, Misplaced Identities will be of interest to readers, scholars and students of exile, diasporic and transmigration studies, international studies, postcolonial studies, cultural studies, language studies, and comparative literary studies.
Urban Legends
A cultural history of the South Bronx that reaches beyond familiar narratives of urban ruin and renaissance, beyond the “inner city” symbol, to reveal the place and people obscured by its myths. For decades, the South Bronx was America’s “inner city.” Synonymous with civic neglect, crime, and metropolitan decay, the Bronx became the preeminent symbol used to proclaim the failings of urban places and the communities of color who lived in them. Images of its ruins—none more infamous than the one broadcast live during the 1977 World Series: a building burning near Yankee Stadium—proclaimed the failures of urbanism. Yet this same South Bronx produced hip hop, arguably the most powe...
Scenes from la Cuenca de Los Angeles y otros Natural Disasters
This is a rarity in contemporary writing, a truly bilingual enterprise, as in Susana Chávez-Silverman’s previous memoir, Killer Crónicas. Chávez-Silverman switches between English and Spanish, creating alinguistic mestizaje that is still a surprise encounter in the world of letters today, and the author forms one of a small but growing band of writers to embrace bilingualism as a literary force. Also like Killer Crónicas, each chapter in Scenes from la Cuenca de Los Angeles is a “crónica,” a vignette that began as intimate diary entries and e-mails and letters to lovers, friends, and ghosts from the past. These episodic chapters follow the Chávez-Silverman’s personal history, from California to South Africa and Australia and back, from unfathomable loss to deeply felt joy. Readers drawn into this witty book will confront their own conceptions of boundaries, borders, languages, memories, and spaces. Honorable Mention, Best Biography in Spanish or Bilingual, International Latino Book Awards
