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Shakespeare: Hamlet
In this useful guide, Paul Cantor provides a clearly structured introduction to Shakespeare's most famous tragedy. Cantor examines Hamlet's status as tragic hero and the central enigma of the delayed revenge in the light of the play's Renaissance context. He offers students a lucid discussion of the dramatic and poetic techniques used in the play. In the final chapter he deals with the uniquely varied reception of Hamlet on the stage and in literature generally from the seventeenth century to the present day.
Gilligan Unbound
"Cantor demonstrates how, during the 1960s, Gilligan's Island and Star Trek reflected America's faith in liberal democracy and our willingness to project it universally. Gilligan's Island, Cantor argues, is based on the premise that a representative group of Americans could literally be dumped in the middle of nowhere and still prevail under the worst of circumstances. Star Trek took American optimism even further by trying to make the entire galaxy safe for democracy. Despite the famous Prime Directive, Captain Kirk and his crew remade planet after planet in the image of an idealized 1960s America."--BOOK JACKET.
Simpson Family
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The New World Reader
This multicultural, thematic reader takes on thought-provoking, global issues. The New World Reader presents first-year writing students with 66 timely essays by established writers on the most significant issues of the post-September 11th world. Working with recently published selections from well-known writers, students will have the opportunity to consider such strategic questions as the changing face of America, the challenges and consequences of globalization, the just response to terror, the international digital revolution, and the fate of the global environment. Challenged by notable contemporary thinkers and writers, students will be encouraged--individually and as members of a community--to come to grips with a world that is now subject to complex transformations.
Hearings
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Shakespeare's Roman Trilogy
Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976). With Shakespeare’s Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community. Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianit...
