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Facets of Globalisation
For many years, ‘anglistik & englischunterricht’ has been devoted to the exploration of a wide range of questions within the field of British and American culture and the teaching of culture. The objective of the first volume on globalisation is to provide a diverse approach to the problem area of globalisation, which, perhaps more than any other issue, needs to be addressed from a wide variety of disciplinary perspectives. It is, however, also self-evident that the number of specific questions to be covered within the scope of this volume is necessarily very limited and cannot serve as a systematic introduction to a problem area that, by definition, defies any such endeavour. Therefore, the publication offers a selection of contributions from linguistic, literary, film and cultural studies with a partly strong focus on teaching on secondary and tertiary levels. The volume should offer valuable insights not only for teachers at schools and universities but also for the interested public.
Roger Raveel: Retrospection
An extensive retrospective dedicated to Roger Raveel (1921-2013), one of the most important Belgian painters of the second half of the 20th century Commemorating the centenary of the artist's birth in 2021, the Centre for Fine Arts - BOZAR will present an extensive retrospective dedicated to Roger Raveel (1921-2013), considered one of the most important Belgian painters of the second half of the twentieth century. While belonging to the generation of artists that emerged following the Second World War, flanked by Magritte and Panamarenko, Raveel radically defended his own independence from the values commonly associated with this generation, notably the supposed superiority of internationality over all forms of local anchorage. In today's context of globalized art and its associated stereotypes, Raveel's choice to draw inspiration from his immediate, intimate surroundings--while always being very well informed about trends in the international art scene--now seems revolutionary, even prophetic. Showcasing some 120 artworks from public and private collections, this catalogue seeks to demonstrate the singularity of Raveel's pictorial language as it took form over time.
Joost Colpaert. Heterotopia
Joost Colpaert (°1965, lives and works in Oudenaarde, Belgium) has been producing paintings and videos for many years in which recurring cycles, fluent progress and the force of water play a central theme. He is inspired by his musical background: where a painting is spatially restricted, music can continue to flow (eternally). In a series of paintings from around 2000 the idea of recurring cycles was expressed in the form of rings, streamers and tyres which wound around and through each other. Since 2002 he has become more and more inspired by water and rivers; a reflection of a recurring cycle. He works this figuratively using maps and landscapes, but also abstractly.
De klaverknoop
Onze identiteit wordt bepaald in relatie tot onze omgeving: de ouders, de geliefde, onze kinderen, de samenleving. We zijn met hen verknoopt. Maar, zoals de Franse filosoof Alain Badiou schrijft: er is geen authentieke kern in ons. En toch blijven we proberen om onszelf te vinden. In De klaverknoop gaat Paul Demets op zoek naar de mens, en in het bijzonder naar de verknooptheid van het ik. Het resultaat is een onrustbarende, maar ook troostrijke bundel met verzen en strofes die onder de huid kruipen.
Ou Menya
Fotoimpressies van logeeradressen tijdens een reis door Rusland.
Contemporary Dance in the Low Countries
Presentation of a picture of the dance scene as it currently stands in the Netherlands and Flanders. Two general introductions and twenty portraits: twelve of Dutch choreographers and eight of Flemish. Also a brief look at companies, festivals, dance courses and dance workshops.
How the Light Gets In. New Paintings by Michel Buylen
In 1992 begon de galerie in die geest een samenwerking met Michel Buylen. De eerste solotentoonstelling met recente schilderijen werd geopend door prof. dr. Karel Boullart (Universiteit Gent). Het was de start van een reeks exposities en een intense samenwerking die tot vandaag doorloopt. De kunstenaar plaatst zijn figuratief oeuvre binnen een modernistisch referentiekader, in deze expositie meer dan ooit. De tentoonstelling How the Light gets in nodigt u uit tot een unieke ervaring in het hart van de schilderkunst. Een dialoog met zijn actueel werk speelt in op de zintuiglijkheid en biedt een enig zicht op de diepte van zijn werk, met als kenmerkende elementen de kleur, het licht, de gebruikte media (de drager/de verfsoort) en de voorstelling.00Exhibition: Galerie de Zwarte Panter, Antwerp, Belgium (13.11.2016-08.01.2017).
Paul Snoek - Gedichten
Verzameld dichtwerk van de Vlaamse auteur (1933-1981).
