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Making Modernism
Artists don't achieve financial success and critical acclaim during their lifetimes as a result of chance or luck. Michael FitzGerald's assiduously researched book documents Picasso's courting of dealers, critics, collectors, and curators as he established his reputation during the first forty years of the twentieth century. FitzGerald describes the care, patience, and resourcefulness invested by Paul Rosenberg, Picasso's dealer and close collaborator from 1918 to 1940, in building the financial value and public acceptance of Picasso's art. The book is based on and quotes generously from previously unpublished correspondence between Picasso and dealers, collectors, and museum curators.
African Art in Transit
African Art in Transit is an absorbing account of the commodification and circulation of African art objects in the international art market. Christopher Steiner's analysis of the role of the African middleman in linking those who produce and supply works of art in Africa with those who buy and collect so-called 'primitive' art in Europe and America is based on extensive field research among the art traders in Côte d'Ivoire. Steiner provides a lucid interpretation which reveals not only a complex economic network with its own internal logic and rules, but also an elaborate process of transcultural valuation and exchange. By focusing directly on the intermediaries in the African art trade, he unveils a critical new perspective on how symbolic codes and economic values are mediated in the context of shifting geographic and cultural domains. He questions conventional definitions of authenticity in African art by demonstrating how the categories 'authentic' and 'traditional' are continually redefined.
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Collection Jean Walter-Paul Guillaume
Le Musée national de l'Orangerie abrite depuis 1984 la collection Jean Walter et Paul Guillaume cédée à l'Etat à des conditions très généreuses. Cette collection regroupe 143 tableaux de la fin du XIXe et de la première moitié du XXe siècle (15 Cézanne, 24 Renoir, 10 Matisse, 12 Picasso, 28 Derain, 22 Soutine? )
Fascist Visions
Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art functioned as the expression of fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of ...
All the King's Men
The story of one of the most astonishing episodes of espionage and deception of World War Two. This is the tale of two men: Claude Dansey, deputy head of MI6, and double agent Henri Dericourt, who was planted with the rival wartime secret service – SOE – at Dansey’s instructions. From there began a terrifying trail of destruction. After making contact with Dansey in 1942, Dericourt was recruited to SOE as the man desperately needed to organize top-secret flights in and out of occupied French territory. But at the same time Dericourt was in touch with German counter-espionage in Paris. As SOE congratulated themselves on a new asset, Dericourt gave the Nazis everything; every flight, operation and coded message he could. Against a background of unprecedented deception and betrayal, Dansey’s secret MI6 operation eventually led to the arrest of nearly one thousand men and women, hundreds of whom died in concentration camps. How did it go so wrong? A shocking, enthralling account of a devastating episode in the history of the British secret services, perfect for readers of Ben MacIntyre.
Metropolitan Fetish
From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented.
Eternal Ancestors
"Many masterpieces of central African sculpture were created to amplify the power of sacred relics that affirm a family's vital connection to its ancestral heritage. This important volume, focusing on some 130 works representing a diverse variety of regional genres, illuminates the purpose and significance of these icons of African art, which first came to prominence because of their appeal to the Western avant-garde. While providing an overview of sources ranging from colonial explorers, missionaries, critics, artists, and art historians, the book breaks new ground in its examination of the complex aesthetic and spiritual dimensions of the reliquaries. Its interdisciplinary approach brings together the perspectives of scholars in African and medieval art history along with those in African history, religion, and ethnography." -- Publisher.
