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The Three Paradoxes
The Three Paradoxes is an intricate and complex autobiographical comic by one of the most talented and innovative young cartoonists today. The story begins with a story inside the story: the cartoon character Paul Hornschemeier is trying to finish a story called "Paul and the Magic Pencil." Paul has been granted a magical implement, a pencil, and is trying to figure out what exactly it can do. He isn't coming up with much, but then we zoom out of this story to the creator, Paul, whose father is about to go on a walk to turn off the lights in his law office in the center of the small town. Abandoning the comic strip temporarily, Paul leaves with his camera, in order to fulfill a promise to his girlfriend that he would take pictures of the places that affected him as a child. Each "chapter" of the story is drawn in a completely different style, with strikingly unique production and color themes, and yet, somehow, despite (or perhaps because of) this non-linear progression, it all comes together as one story: a story questioning change, progress, and worth within the author's life.
Artists Authors Thinkers Directors
A self-portrait through one hundred portraits, Artists Authors Thinkers Directors explores cartoonist Paul Hornschemeier’s sketchbook renderings of those who shaped his (and many others’) artistic views. Culled from his drawing blog ― The Daily Forlorn, now one of Tumblr’s featured illustration blogs, adding thousands of new followers every week ― these portraits are as stylistically varied as the subjects they portray. A scrawled, single line drawing of Lenny Bruce shares space with a triangular Werner Heisenberg. A monochromatic, stippled Stanley Kubrick stares intently at a muppetheaded Frank Oz. Each turn of the page offers a new take on a familiar face. In the afterword, Hornschemeier includes brief notes on each portrait and that creator’s particular work or insight that spoke specifically to him. And in that specificity, much of what is universally affecting in each creator shines through. Hornschemeier’s graphic novels hop from one aesthetic to the next, varying the line and color quality to depict his narrative’s mood. He plays with the language of comics. In these portraits we can clearly see him hard at experimentation, adding to his vocabulary.
Let Us Be Perfectly Clear
Let Us Be Perfectly Clear is a collection of Paul Hornschemeier's full-color short stories and shows off his playful experimental side and his protean stylistic verve. Perfectly Clear brings back into print stories that Hornschemeier published prior to his Three Paradoxes Fantagraphics debut from a variety of sources―his own self-published Forlorn Funnies, as well as strips that originally appeared in independent magazines and papers―none of which has been available to the book trade.
Let Us be Perfectly Clear
Let Us Be Perfectly Clear collects Paul Hornschemeier's full-color short stories and shows off his playful experimental side. With almost every page, we see a new style, a new direction; with the resultant effect being that of an anthology by creators of vastly contrasting sensibilities. Let Us Be Perfectly Clear demonstrates Paul Hornschemeier's versatility and breadth in an elegantly produced book that will appeal to connoisseurs of contemporary, cutting-edge cartoons and graphic novels.
All and Sundry
These works span the globe, from periodicals to museums, including: conceptual drawings and comics of Ulysses S. Grant created for an exhibit in Paris; an award-winning cover exhibited in the Victoria and Albert Museum in London; the seventeen-part serialized tale of divine intervention, non-linearity, and social webs “Huge Suit Visits the People” created for the celebrated German newspaper Frankurter Allgemeine Zeitung; and comic strips for The Wall Street Journal and CNN featuring the unlikely cartoon protagonists of Michael Jackson, Sylvester Stallone as Rambo, and the “gray fox,” Anderson Cooper. In addition to these oddities, All and sundry collects covers and designs from multiple foreign editions of Paul’s books, ranging from Holland to Korea, as well as short, illustrated prose. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #424242}
Omega
Presents the first ten volumes of the "Omega: The Unknown" comic, which features the adventures of an alien superhero and an orphaned teenage boy who shares his destiny.
Forlorn Funnies
This is the first volume of Paul Hornschemeier's ongoing one-man anthology of short stories told in both comics and prose.
The Trauma Graphic Novel
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- Introduction -- 1 Through Traumatized Eyes: Trauma and Visual Stream-of-Consciousness Techniques in Paul Hornschemeier's Mother, Come Home -- 2 Joe Sacco's Documentary Graphic Novels Palestine and Footnotes in Gaza: The Thin Line Between Trauma and Propaganda -- 3 From "Maus" to MetaMaus: Art Spiegelman's Constellation of Holocaust Textimonies -- 4 Greek Romance, Alternative History, and Political Trauma in Alan Moore and Dave Gibbons' Watchmen -- Conclusion -- Index
Beasts!
In the spirit of 2007’s acclaimed Beasts!, editor/designer Jacob Covey has assembled an entirely new line-up of over 90 artists who did not appear in the first Beasts! volume. Like the first book, the deluxe collection includes a Who’s Who of the contemporary art world, collectively crafting a menagerie of mythological creatures, monsters, beasts and things that go bump in the night, superbly laid out in breathtaking two-page spreads per beast. Featuring all-new work by over 90 artists including Blex Bolex, Brian Chippendale, Craig Thompson, Dan Zettwoch, Dash Shaw, David B., Eleanor Davis, Ellen Forney, Femke Hiemstra, Gene Deitch, Jaime Hernandez, Travis Louie, Thomas Allen, Jon Vermilyea, Kim Deitch, Lilli Carré, Mark Todd, Olivier Schrauwen, Paul Hornschemeier, Peter Bagge, Ray Fenwick, Stephan Blanquet, Taylor McKimens, Tom Neely, Tomer Hanuka, Yuko Shimizu and dozens more. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
Life with Mr. Dangerous
Somewhere in the Midwest, Amy Breis is going nowhere. Amy has a job she hates, a creep boyfriend she’s just dumped, and a best friend she can’t reach on the phone. But at least her (often painfully passive-aggressive) mother bought her a pink unicorn sweatshirt for her birthday. Pink. Unicorn. For her twenty-seventh birthday. Gliding through the daydreams and realities of a young woman searching for definition, Life with Mr. Dangerous showcases acclaimed cartoonist Paul Hornschemeier’s gift for deadpan humor and dead-on insight with a droll aftertaste—an unlikely but welcome marriage of the bleak and the hopeful.
