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Omega
Presents the first ten volumes of the "Omega: The Unknown" comic, which features the adventures of an alien superhero and an orphaned teenage boy who shares his destiny.
Uncanny Bodies
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extr...
We Told You So
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
Omega The Unknown Masterworks Vol. 1
Collects Omega the Unknown (1976) #1-10, Defenders (1972) #76-77. In the 1970s, writer Steve Gerber revolutionized comics. His innovative work on MAN-THING, DEFENDERS and HOWARD THE DUCK opened creative avenues that excited readers and inspired a generation of creators. So when Marvel announced an all-new character co-created by Gerber, anticipation rose to a fever pitch! OMEGA THE UNKNOWN debuted in late 1975, featuring an enigmatic approach to one of the most compelling stories: the stranger in a strange land. James-Michael Starling, a boy with a mysterious past, holds a curious connection to the super-powered being known as Omega. Their quest to understand the gritty world of New York City reveals as much about us as it does them. As the pair's secrets are uncovered and the action unfolds in the Marvel manner, you'll come to understand why OMEGA holds a place as one of the most influential series of its time!
Of Solids and Surds
In the fourth volume in the Why I Write series, the iconic Samuel Delany remembers fifty years of writing and shaping the world of speculative fiction "Delany's prismatic output is among the most significant, immense and innovative in American letters."--Jordy Rosenberg, New York Times "He dispenses wisdom about craft--including the demanding revision process his dyslexia requires--but most moving are the moments when he sheds light on connections he has made with other readers and writers. . . . Delany's fans are in for a treat."--Publishers Weekly, starred review Language is the way humans deal with past, present, and future possibilities, as well as the subset called the probable. This is where Samuel Delany finds his justification for the writing life. Since the 1960s, occurrences such as Sputnik, school desegregation, and the advent of AIDS have given Delany, as a gay man, as a black man, access to certain truths and facts he could write about, and the language--sometimes fiction, sometimes nonfiction--in which to present them. "We write," Delany believes, "at the intersection of your experience and mine in a way, I hope, that allows recognition."
Daredevil Masterworks Vol. 11
Daredevil teams up with not just one, but two stunning women of Marvel when the Black Widow and Shanna the She-Devil join the battle against the Black Spectre. Together, they must uncover the secret leaders of an organization bent on bringing the United States to its knees. It's a massive saga that will pull in heroes from across the Marvel Universe including Moondragon and the ever-lovin' blue-eyed Thing, culminating in a battle on the White House lawn! Classic villains like the Gladiator and the Owl abound, and new enemies emerge when Death-Stalker hatches a plan that brings the Man-Thing into the fray. Add in a return to Fogwell's Gym, where it all began, and what we have in store and true Marvel Masterworks! COLLECTING: DAREDEVIL (1964) #108-119, MARVEL TWO-IN-ONE (1974) #3.
Detective Comics (1937-) #449
ÒMIDNIGHT RUSTLER OF GOTHAM CITY!Ó Commissioner Gordon summons Batman to help him solve a problem involving four slaughterhouses each losing a herd of cattle. When the commissioner receives an anonymous tip about a fifth attempt, Batman boards a Refugee Island ferry believed to be a part of the smuggling, where he encounters one of the thieves, Tad Wolfe.
Superhero Thought Experiments
Examining the deep philosophical topics addressed in superhero comics, authors Gavaler and Goldberg read plot lines for the complex thought experiments they contain and analyze their implications as if the comic authors were philosophers. Reading superhero comic books through a philosophical lens reveals how they experiment with complex issues of morality, metaphysics, meaning, and medium. Given comics’ ubiquity and influence directly on (especially young) readers—and indirectly on consumers of superhero movies and video games—understanding these deeper meanings is in many ways essential to understanding contemporary popular culture. The result is an entertaining and enlightening look at superhero dilemmas.
The Complete Wimmen's Comix
In the late ’60s, underground comix changed the way comics readers saw the medium ― but there was an important pronoun missing from the revolution. In 1972, ten women cartoonists got together in San Francisco to rectify the situation and produce the first and longest-lasting all-woman comics anthology,Wimmen’s Comix. Within two years the Wimmen’s Comix Collective had introduced cartoonists like Roberta Gregory and Melinda Gebbie to the comics-reading public, and would go on to publish some of the most talented women cartoonists in America ― Carol Tyler, Mary Fleener, Dori Seda, Phoebe Gloeckner, and many others. In its twenty year run, the women of Wimmen’s tackled subjects the guys wouldn’t touch with a ten-foot pole: abortion, menstruation, masturbation, castration, lesbians, witches, murderesses, and feminists. Most issues of Wimmen’s Comix have been long out of print, so it’s about time these pioneering cartoonists’ work received their due.
Marvel Comics in the 1970s
Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics. Through a diverse cast of heroes (and the occasional antihero)—Black Panther, Shang-Chi, Deathlok, Dracula, Killraven, Man-Thing, and Howard the Duck—writers such as Steve Gerber, Doug Moench, and Don McGregor made unprecedented strides in exploring their characters' inner lives. Visually, dynamic action was still essential, but the real excitement was taking place inside their heroes' heads. Marvel Comics in the 1970s highlights the brilliant and sometimes gloriously imperfect creations that laid the groundwork for the medium's later artistic achievements and the broader acceptance of comic books in the cultural landscape today.
