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Paul Durand-Ruel
  • Language: en

Paul Durand-Ruel

  • Categories: Art

Paul Durand-Ruel redefined the role of the art dealer. An exceptional entrepreneur and precursor of the international art market scene, he established a network of galleries between Paris, London, Brussels, and New York, and organized international traveling exhibitions. The first to recognize the talent of the Barbizon School artists and the Impressionists, and confident in his role championing their art, Paul Durand-Ruel was able to establish the careers of ground-breaking artists including Renoir, Monet, Sisley, Berthe Morisot, and Mary Cassatt. Paul Durand-Ruel: Memoirs of the First Impressionist Art Dealer (1831-1922) is a unique and indispensible reference work for those who wish to un...

Discovering the Impressionists
  • Language: en

Discovering the Impressionists

Annotated for the 150th anniversary of the first impressionism exhibition in Paris, this memoir offers a rare, firsthand account of the lives and works of the groundbreaking artists he made famous. Paul Durand-Ruel redefined the role of the art dealer. An exceptional entrepreneur and precursor of the international art market scene, he established a network of galleries between Paris, London, Brussels, and New York, and organized international traveling exhibitions. The first to recognize the talent of the Barbizon School artists and the impressionists, and confident in his role championing their art, Durand-Ruel established the careers of visionary artists including Auguste Renoir, Claude Mo...

Inventing Impressionism
  • Language: en

Inventing Impressionism

Published to accompany the exhibition Paul Duran-Ruel: Le Pari de l'Impressionnisme, Musaee de Luxembourg, Pais (Saenat), October 9, 2014 - February 8, 2015; Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market, The National Gallery, London, March 4 - May 31, 2015; Discovering the Impressionists: Paul Durand-Ruel and the New Painting, Philadelphia Museum of Art, June 24 - September 13, 2015.

The Hammock: A Novel Based on the True Story of French Painter James Tissot
  • Language: en
  • Pages: 356

The Hammock: A Novel Based on the True Story of French Painter James Tissot

  • Categories: Art
  • Type: Book
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  • Published: 2020-10-03
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  • Publisher: Unknown

THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.

Discovering the Impressionists
  • Language: en
  • Pages: 303

Discovering the Impressionists

  • Type: Book
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  • Published: 2015
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  • Publisher: Unknown

None

One Hundred Years of Impressionism
  • Language: en
  • Pages: 120

One Hundred Years of Impressionism

  • Type: Book
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  • Published: 1970
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  • Publisher: Unknown

None

Delacroix
  • Language: en
  • Pages: 331

Delacroix

  • Categories: Art

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Eugène Delacroix (1798–1863) was one of the towering figures to emerge in France in the wake of Napoleon. No other artist of the nineteenth century balanced a reverence for the past with such a strong ambition and spirit of innovation. Distinguishing himself from many other talented young artists in Paris, he gained renown in the 1820s for his novel subject matter, theatrical sense of composition, vibrant palette, and vigorous painterly technique. His vast production—including some eight hundred paintings, prints in a variety of media, and thousands of drawings and pages of writing—won the admiration of countless writers and...

Art Crossing Borders
  • Language: en
  • Pages: 367

Art Crossing Borders

  • Type: Book
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  • Published: 2019-02-11
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  • Publisher: BRILL

Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.

Splendid Legacy
  • Language: en
  • Pages: 433

Splendid Legacy

  • Categories: Art

Issued in conjunction with the exhibition at The Metropolitan Museum of Art of over 450 works of art from the legendary Havemeyer collection, formed at the turn of the century by pioneering American patrons of art Henry O. and Louisine Havemeyer, this lavishly illustrated catalogue combines 800 illustration (176 in color) with the collaborative efforts of 27 authors who examine the various aspects of the collection in summarizing essays and in entries on individual works. In addition, one essay is devoted to the Manhattan residence designed for the Havemeyers by Tiffany and Colman. An exhaustive 90-page chronology offers a perspective on the formation of the collection, outlining the roles of friend and advisor Mary Cassatt and a succession of dealers, and focusing on the history of the family and its business interests. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR

Conrad on Film
  • Language: en
  • Pages: 300

Conrad on Film

This book offers the first comprehensive, international survey of more than eighty films and videos based on the life and work of Joseph Conrad. Essays by leading film and literary scholars examine the films, both in the context of film history and technology, and in terms of the theoretical and practical problems facing directors - including Alfred Hitchcock, Orson Welles, Francis Ford Coppola and Andrzej Wajda - who have attempted to put Conrad on film. Conrad was the first major English author to adapt his work for the screen, and the story of his unpublished 'film-play' is told in an important chapter. The challenges of finding visual analogues for Conrad's narrative irony and filmic equivalents for his narrators are also examined. The volume is well illustrated and includes a detailed filmography and film bibliography, making it a landmark study of Conrad films and film adaptations in general.