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Paul Mogensen
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Paul Mogensen
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Paul Mogensen
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Paul Mogensen
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New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Paul Mogensen
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Cuts
Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a central figure in minimalism. Just as Carl Andre's sculptures are "cuts" of elemental materials, his writings are condensed expressions, "cuts" of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is "not a writer of prose," and the texts included in Cuts—the most comprehensive collection of his writings yet published—appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or l...
Minimalism
This beautifully illustrated book is internationally recognized as the most definitive survey of Minimalism, among the most influential movements in late twentieth-century art.
General Geology and Mines of the East Tintic Mining District, Utah and Juab Counties, Utah
A study of the rocks, geologic structures, and mines of a highly productive silver, gold, and base-metal mining district in the east-central Great Basin.
Paul Mogensen: Copperopolis
Documenting Mogensen's first major work made in New York and an early example of his mathematical progression process In 1966, Paul Mogensen (born 1941) arrived in New York from Los Angeles and created one of his major works: the 16-part painting Copperopolis. This focused study traces the history of the painting--both its creation and exhibition at the legendary Bykert Gallery--and Mogensen's complicated relationship with Minimalism.
