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The first monograph on acclaimed Brooklyn-born, UK-based designer Paul Peter Piech, this volume brings together 120 key works from the collections of the Victoria and Albert Museum and the University of Reading in the UK. Having worked as a printmaker producing prints, posters and books for much of his career, Piech's own pieces often carried stylistic traces of the advertising industry, giving his works a bold, rugged style that became immediately recognizable. His graphic images--sometimes joyful, sometimes angry, but always inventive--tackled the political concerns of the late twentieth century, imbuing them with his forthright personal beliefs (Piech was an ardent pacifist). The Graphic ...
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A visual and comprehensive guide to a hugely popular graphic style. The distinctive aesthetic of mid-century design captured the post-war zeitgeist of energy and progress, and remains hugely popular today. In Mid-Century Modern Graphic Design Theo Inglis takes an in-depth look at the innovative graphics of the period, writing about the work of artists and designers from all over the world. From book covers, record covers and posters to advertising, typography and illustration, the designs feature eye-popping colour palettes, experimental type and prints that buzz with kinetic energy. The book features artworks from a wide selection of international designers and illustrators whose work conti...
Light Break presents the first survey since 1996 of photographer Roy DeCarava, an essential figure of American art and culture, whose “poetry of vision” re-forms urban life, labor, love, and jazz into the discovery of “an intimate, emotional arc of transformation.” Though DeCarava often refrained from public discussion of his work, this catalogue provides important background into determining factors of his aesthetic sensibility—his traditional training in painting and printmaking as well as his philosophical undertakings. It brings the viewer to a consideration of contradictory precepts in DeCarava’s work that seeks resolution through tonal and structural elements within the ima...
Roger Cecil (1942-2015) has been described as one of the great abstract artists of his generation, yet in his lifetime he was hardly known outside a circle of fellow painters. He was content to paint for himself, protecting his privacy and exhibiting rarely. If he did show his work, collectors rushed to acquire it. Among curators, he was a legendary figure. When his body was found after a police search in 2015, his death made headlines. At art college in the early 1960s he was a star of his generation, but he walked out on a scholarship to the Royal College of Art and returned to practise on his own in the South Wales mining village and terraced house where he grew up. He devoted himself to ...
"Admired by Charles and Ray Eames, Buckminster Fuller and Saul Bass, Sister Corita Kent (1918-1986) was one of the most innovative and unusual pop artist of the 1960s, battling the political and religious establishments, revolutionizing graphic design and encouraging creativity of thousands of people--all while living and practicing as a Catholic nun in California. Mixing advertising slogans and poetry in her prints and commandeering nuns and students to help make ambitious installations, processions and banners, Sister Corita's work is now recognized as some of the most striking--and joyful--American art of the 60s. But, at the end of the decade and at the height of her fame and prodigious work rate, she left the convent where she had spent her adult life. Julie Ault's book ls the first to examine Corita's life and career, containing more than 90 illustrations, many reproduced for the first time, capturing the artist's use of vibrant and day-glo colors."--Page 4 of cover.
Summary: "In the late 1990s, Michael Kupperman bought a stack of men's magazines from the 1950s and 1960s. On examining them, he discovered that their original owner had tampered with them, using the contents to form his own hybrid magazines. This reordering, censoring and selecting, made the sensation-crazed originals even stranger. Pirate Nightmare Vice Explosion presents highlights from that collection, and takes place in a murky, monochromatic world where mysterious, energetic sin is always happening behind closed doors. Some of it is factual; some of it smells of heady invention."--Page 4 of cover.
Edited by Julie Ault. Essays by Doug Ashford, Julie Ault, Sabrina Locks, Tim Rollins.