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Now it is possible for the first time to trace in a systematic way the language patterns of one of the greatest poets who have written in English, W. B. Yeats. Like A Concordance to the Poems of Matthew Arnold, the first of the Cornell Concordances that are under the general editorship of Professor Parrish, this volume was produced on an IBM 704 electronic data-processing machine. Computer technique has so advanced that the Yeats concordance includes punctuation and gives cross references for the second parts of hyphenated words. The frequency of every word in Yeats's poems is given, and an appendix lists all indexed words in order of frequency. The body of this book consists of an index of all significant words in Yeats, each word listed in the line or lines in which it occurs. The concordance is based on the variorum text of Yeats, edited by Alspach and Allt, and includes all variants that occur in printed versions of Yeats's poems.
Reproduction of the original: The Whole Armour of God by John Henry Jowett
Alfie and Angel Young return to Parkway Grange for the holidays. The last time they saw Mylor, he had had a terrible accident. Had the Professor been able to restore the magnificent, lifelike electronic horse? Would he be the same? Luckily, Mylor is as perfect as ever, but almost everything else isn't Parkway Grange, the beautiful maze-surrounded home of the Professor and Boff, is to be demolished and replaced by high-rise flats unless 100,000 can be raised. Glen Striker, a sinister and cruel neighbour, constantly turns up at the oddest places and clearly has plans for Mylor. Angel, Alfie and Boff's new friendship with Davina and Prince Aziz seems threatened by the fact that Davina's father is the man who wants to bulldoze Parkway Grange. Trouble follows trouble when Mylor disappears. There are threats, fights, and a kidnapping, all building towards an action-packed climax at a tournament
With its roots in one of the most well known and long-lasting healing rituals to be found in Europe, the tarantula's dance has now become a popular music and dance craze. In this book the author examines the history and evolution of the ritual.
Unlike such romanticized renegades as Robin Hood and Jesse James, there is another kind of outlaw hero, one who lives between the law and his own personal code. In times of crisis, when the law proves inadequate, the liminal outlaw negotiates between the social imperatives of the community and his innate sense of right and wrong. While society requires his services, he necessarily remains apart from it in self-preservation. The modern outlaw hero of film and television is rooted in the knight errant, whose violent exploits are tempered by his solitude and devotion to a higher ideal. In Hollywood classics such as Casablanca (1942) and Shane (1953), and in early series like The Lone Ranger (19...
Throwing herself into earning her Ph D after an acrimonious divorce, Elizabeth is drawn into the romantic dramas of her sister, a television reality show bachelorette.
The remarkable life of Paul Robeson, quintessential Harlem Renaissance man: scholar, all-American, actor, activist, and firebrand Born the son of an ex-slave in New Jersey in 1898, Paul Robeson, endowed with multiple gifts, seemed destined for fame. In his youth, he was as tenacious in the classroom as he was on the football field. After graduating from Rutgers with high honors, he went on to earn a law degree at Columbia. Soon after, he began a stage and film career that made him one of the country’s most celebrated figures. But it was not to last. Robeson became increasingly vocal about defending black civil rights and criticizing Western imperialism, and his radical views ran counter to...
Between the end of Frank Herbert's DUNE and his next novel DUNE MESSIAH lies a mystery: how a hero adored by a planet became a tyrant hated by a universe. PAUL OF DUNE begins the story of those twelve fateful years and the wars of the jihad of Paul Muad'Dib. It is an epic of battle and betrayal; of love and idealism; of ambition and intrigue. Above all, it is the story of how Paul Atreides – who achieved absolute power when scarcely more than a boy – changes from an idealist into a dictator who is the prisoner of the bureaucrats and fanatics who surround him. 'Frank Herbert would surely be delighted and proud of this continuation of his vision.' Dean Koontz
This first comprehensive treatment of Arthurian literature in the English language up until the end of the Middle Ages is now available for the first time in paperback. English people think of Arthur as their own – stamped on the landscape in scores of place-names, echoed in the names of princes even today. Yet some would say the English were the historical Arthur’s bitterest enemies and usurpers of his heritage. The process by which Arthurian legends have become an important part of England’s cultural heritage is traced in this book. Previous studies have concentrated on the handful of chivalric romances, which have given the impression that Arthur is a hero of romantic escapism. This study seeks to provide a more comprehensive and insightful look at the English Arthurian legends and how they evolved. It focuses primarily upon the literary aspects of Arthurian legend, but it also makes some important political and social observations.