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This lively portrait of the artist and his environment helps readers become acquainted with the life and times of Jan Vermeer. With only 37 known works, Vermeer s oeuvre affords readers an opportunity to become intimately acquainted with his paintings and with daily life in seventeenth-century Holland. Here readers will learn about the Golden Age of Dutch artistry, the culture and communityof Delft, and how Vermeer revolutionized the style and content of portraits and still-lifes. Written in an engaging, journalistic style and including full-color reproductions, thisvolume will give readers a glimpse into Vermeer s private life and the inspirations behind his paintings, giving insight into a genius whose work continues to intrigue us today.
Very few paintings, less than forty n all, can be attributed with certainty to Vermeer, but each one is a perfectly achieved study of light, colour and space. For all his profound originality, Vermeer is very much a part of the Dutch tradition, combining realism and sobriety with a skilful rendering of perspective and optical effects. In this book you will find high quality reproductions of these paintings, each with an explanation and an essay about Vermeer's universe and discoveries. ILLUSTRATIONS 50 images *
Benjamin Binstock revolutionises how we think about Vermeer's work and life. Vermeer is famously a mystery in art: there is scant information on his life and training, and nothing to connect him to any students. What remains is the paintings themselves as well as some historical information and surmise.
Of Johannes Vermeer's 36 surviving paintings, 12 depict musical themes or a musical instrument. These include the magnificent 'Young Woman Standing at a Virginal', 'Young Woman Seated at a Virginal', 'The Music Lesson' and 'The Guitar Player'. All are featured in this book, which provides new insight into the cultural significance of these images.
Johannes Vemeer, a 17th century artist, is recognised primarily for his genre scenes. Through meticulous precision in his paintings and drawings he achieves perfection and maximum impact. Unlike his predecessors, Vermeer used a camera obscura to bring even more perspective to his art in the most delicate of manners. He revolutionised the way in which we use and make paint and his colour application techniques predate some of those used by the impressionists nearly two centuries later. Girl with a Pearl Earring remains to this day his greatest masterpiece.
Provides a comprehensive study of Vermeer's life and work, presents commentaries on his painting techniques, and examines each one of the Dutch artist's authenticated paintings.
In a major analysis of pictorial forms from the late Middle Ages to the Enlightenment, Christopher Braider argues that the painted image provides a metaphor and model for all other modes of expression in Western culture—particularly literature, philosophy, religion, and science. Because critics have conventionally explained visual images in terms of verbal texts (Scripture, heroic poetry, and myth), they have undervalued the impact of the pictorial naturalism practiced by painters from the fifteenth century onward and the fundamentally new conception of reality it conveys. By reinterpreting modern Western experience in light of northern "descriptive art," the author enriches our understand...
The twentieth-century process of secularization does not mean that institutional church and Christian ideas were irrelevant for twentieth-century societal projects – such as the introduction of democracy, the improvement of school and education, the framing of national identities – or in the establishment of welfare-states. On the contrary, this publication is built on the presupposition that secularization runs parallell with the sacralization of the state. It can be argued that Christianity has been decisive for how the modern European society evolved in the twentieth century, e.g. concerning how Christian history and Christian values were a part of the new national and social imaginar...
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method a...
Encompassing the socio-political, cultural background of the period, this title takes a look at the careers of the Old Masters and many lesser-known artists. The book covers artistic developments across six countries and examines in detail many of the artworks on display.