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This book is a collection of essays in honor of Paul Ziff written by his col leagues, students, and friends. Many of the authors address topics that Ziff has discussed in his writings: understanding, rules and regularities, proper names, the feelings of machines, expression, and aesthetic experience. Paul Ziff began his professional career as an artist, went on to study painting with J. M. Hanson at Cornell, and then studied for the Ph. D. in philosophy, also at Cornell, with Max Black. Over the next three decades he produced a series of remarkable papers in philosophy of art, culminating in 1984 with the publica tion of Antiaesthetics: An Appreciation of the Cow with the Subtile Nose. In 19...
THIS ESSAY was begun a long time ago, in 1962, when I spent a year in Rome on a Guggenheim Fellowship. That twenty one years were required to complete it is owing both to the character of the theory presented and to my peculiar habits of mind. The theory presented is a coherence theory of knowledge: the con ception of coherence is here dominant and pervasive. But considera tions of coherence dictate an attention to details. The fact of the matter is that I get hung up on details: everything must fit, and if it does not, I do not want to proceed. A second difficulty was that all the epistemological issues seemed too clear. That may sound weird, but that's the way it is. I write philosophy to make things clear to myself. If, rightly or wrongly, I think I know the answer to a question, I can't bring myself to write it down. What happened, in this case, is that I finally became persuaded, in the course of lecturing on epistemology to under graduates, that not everything was as clear as it should be, that there were gaps in my presentation that were seriously in need of filling.
Reproductions of thirty-three works by a British painter, with biographical and critical notes.
This books presents fresh and fascinating insights into our interpretation of the environment and shows how our aesthetic experience encompasses nature rather than art.
Jaakko Hintikka was born on January 12th, 1929. He received his doctorate from the University of Helsinki under the supervision of Professor G. H. von Wright at the age of 24 in 1953. Hintikka was appointed Professor of philosophy at the University of Helsinki in 1959. Since the late 50s, he has shared his time between Finland and the U.S.A. He was appointed Professor of philosophy at Stanford University in 1964. As from 1970 Hintikka has been permanent research professor of the Academy of Finland. He has published 13 books and about 200 articles, not to mention the various editorial and organizational activities he has played an active role in. The present collection of essays has been edit...
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The nature and function of language as Man's chief vehicle of communi cation occupies a focal position in the human sciences, particularly in philosophy. The concept of 'communication' is problematic because it suggests both 'meaning' (the nature of language) and the activity of speaking (the function of language). The philosophic theory of 'speech acts' is one attempt to clarify the ambiguities of 'speech' as both the use of language to describe states of affair and the process in which that description is generated as 'communication'. The present study, Speech Act Phenomenology, is in part an exam ination of speech act theory. The theory offers an explanation for speech performance, that i...
An introduction to philosophy through thought experiments in the 1959-1964 television series, The Twilight Zone
What is it that troubles and preoccupies us about the anxieties and anguishes of social and private life? Have advances in the disciplines of psychoanalysis, psychology or the social sciences in general ministered to our needs in these areas? In this forcefully argued collection of essays, Frank Cioffi examines Wittgenstein's reflections on the comparative claims of clarification and empirical enquiry. Though writing out of admiration and indebtedness, he expresses reservations as to the limits Wittgenstein places on the relevance and desirability of empirical knowledge. His discusssions extend from Wittgenstein's reflections on human sacrifice and other ritual practices dealt with by Frazer to Freud's account of the sources of anxiety, depression, dreams and laughter. He asks both whether it is empirical investigation or more lucid reflection that these phenomena demand, and what kind of question this itself is.
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