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Presents works selected from four previous collections of verse, including "Against Emptiness," "Eternity's Woods," "The Dark Side of the Earth," and "Last Poems"
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In order to study resilience in children, the author examines five autobiographical narratives which deal extensively with childhood difficulties: I Know Why the Caged Bird Sings, The Woman Warrior, Hunger of Memory, Brothers and Keepers, and This Boy's Life. In analyzing these stories, he draws on topics such as urban school reform, birth order, bilingual education, the importance of family and community, child development, gender stereotyping, and discrimination based on race, ethnicity, and sexual identity. Annotation copyrighted by Book News, Inc., Portland, OR
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An original study of exile, told through the biography of Austrian writer Stefan Zweig By the 1930s, Stefan Zweig had become the most widely translated living author in the world. His novels, short stories, and biographies were so compelling that they became instant best sellers. Zweig was also an intellectual and a lover of all the arts, high and low. Yet after Hitler’s rise to power, this celebrated writer who had dedicated so much energy to promoting international humanism plummeted, in a matter of a few years, into an increasingly isolated exile—from London to Bath to New York City, then Ossining, Rio, and finally Petrópolis—where, in 1942, in a cramped bungalow, he killed himself. The Impossible Exile tells the tragic story of Zweig’s extraordinary rise and fall while it also depicts, with great acumen, the gulf between the world of ideas in Europe and in America, and the consuming struggle of those forced to forsake one for the other. It also reveals how Zweig embodied, through his work, thoughts, and behavior, the end of an era—the implosion of Europe as an ideal of Western civilization.
A DOCTOR IN the Dutch East Indies torn between his medical duty to help and his own mixed emotions; a middle-aged maidservant whose devotion to her master leads her to commit a terrible act; a hotel waiter whose love for an unapproachable aristocratic beauty culminates in an almost lyrical death and a prisoner-of-war longing to be home again in Russia. In these four stories, Stefan Zweig shows his gift for the acute analysis of emotional dilemmas. His four tragic and moving cameos of the human condition are played out against cosmopolitan and colonial backgrounds in the first half of the twentieth century.