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Paula Modersohn-Becker, the Letters and Journals
Recognized today as one of the great modernist painters, Paula Modersohn-Becker was also a gifted writer, and her large body of letters and journals represent the story of her life. This volume presents the journals and every extant letter, each carefully annotated.
Paula Modersohn-Becker
DIVA major new look at the life and career of a pioneering woman artist/div
Being Here
‘A luminous tale about the courage of the lone female artist.’ Joan London Born in Germany in 1876, Paula Modersohn-Becker was the first female artist to paint herself not only naked but pregnant. Being Here is a moving account of the life of this ground-breaking Expressionist painter, by the acclaimed French writer Marie Darrieussecq. As her art evolves, Paula is torn between Paris and her home in northern Germany. In Paris she can focus on her work, and mix with artists like Rodin and Monet, or her close friend the poet Rainer Maria Rilke. But Germany is home, and that’s where her painter husband Otto lives. Darrieussecq thrillingly describes Paula’s discovery of her style and choi...
Being Here Is Everything
The short, obscure, and prolific life of the German expressionist painter Paula Modersohn-Becker (1876–1907), a significant figure in modernism. First published in France in 2016, Being Here Is So Much traces the short, obscure, and prolific life of the German expressionist painter Paula Modersohn-Becker (1876–1907). In a brief career, cut short by her death from an embolism at the age of thirty-one, shortly after she gave birth to a child, Modersohn-Becker trained in Germany, traveled often to Paris, developed close friendships with the sculptor Clara Westhoff and the poet Rainer Maria Rilke, and became one of her generation's preeminent artists, helping introduce modernity to the twentieth century alongside such other painters as Picasso and Matisse. Marie Darrieussecq's triumphant and illuminating biography at once revives Modersohn-Becker's reputation as a significant figure in modernism and sheds light on the extreme difficulty women have faced in attaining recognition and establishing artistic careers.
A Little Book of Self-Care for Those Who Grieve
Weep. Scream. Hate. Disbelieve. Go numb. Breathe. This beautiful book offers a gentle and honest guide for surviving the early days of grief--shock, trauma, disbelief--and beyond. In simple, easy-to-absorb pages composed of short, poetic text and spot illustrations, readers will begin to find the path they need to move through their grief, step by step. From grieving a sudden death or a long illness, someone hard to love or impossible to live without, anyone suffering a loss will see themselves and their grief reflected in these pages. When author Paula Becker's son was killed in 2017, she reached for grief books to help her understand how to proceed through the enormous grief engulfing her....
Paula Modersohn-Becker
This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lives. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity. Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work--figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women--to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whe...
A House on Stilts
A House on Stilts tells the story of one woman’s struggle to reclaim wholeness while mothering a son addicted to opioids. Paula Becker’s son Hunter was raised in a safe, nurturing home by his writer/historian mom and his physician father. He was a bright, curious child. And yet, addiction found him. More than 2.5 million Americans are addicted to opioids, some half-million of these to heroin. For many of them, their drug addiction leads to lives of demoralization, homelessness, and constant peril. For parents, a child’s addiction upends family life, catapulting them onto a path no longer prescribed by Dr. Spock, but by Dante’s Inferno. Within this ten-year crucible, Paula is transformed by an excruciating, inescapable truth: the difference between what she can do and what she cannot do.
Dear Friend
"In 1908, Rainer Maria Rilke wrote his "Requiem for a Friend" in memory of Paula Modersohn-Becker, the German painter who had had a profound effect on him, both personally and artistically, and who had died a year earlier. Modersohn-Becker, despite being one of the great modern painters, is today remembered primarily as she is portrayed in that poem. In Dear Friend, Eric Torgersen looks at the relationship of these two great artists whose vexed seven-year friendship was extraordinarily productive for both, and offers an introduction to the life and work of Modersohn-Becker, a gifted and determined woman whose work stands comparison with that of any painter of her day." "Included in the book ...
