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Fifty Key Figures in LatinX and Latin American Theatre
Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.
Teatro e os povos indígenas
Estamos vivendo um momento paradoxal da nossa história, em especial a brasileira. Muitos eventos marcam este período, desde a catastrófica pandemia da Covid-19, a desconcertante política nacional que vem contrariando a tendência mundial em relação à proteção ambiental e dos povos originários, mas também, pela existência de uma produção inquieta de arte, pesquisa e encontros para a sobrevivência física e cultural. No meio desse emaranhado de acontecimentos nasce o livro digital: Teatro e os povos indígenas – Janelas abertas para a possibilidade, enquanto uma coletânea que reúne diferentes vozes, em torno do fazer teatral dos povos originários. Apesar de haver ainda pouc...
Performing the jumbled city
Performing the jumbled city is a complex artefact beyond its own materiality. Linked to a dedicated website hosting additional audio-visual materials, the book acts as a connecting device allowing an exchange between texts, audio-visual materials, and original artworks, situating it in the emerging field of multi-modal ethnography. From this stance, and as an edited collection co-authored with urban indigenous artists and activists, it interrogates the ways in which knowledge is built and shared. The book is constructed as a particular kind of edited collection, shifting between different authorships. The resulting interaction between individual and collective essays draws together scholars...
Limits of Tolerance
History and Legal Norms
Imagined Theatres
Imagined Theatres collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre. Each scenario is mirrored by a brief accompanying reflection, asking what they might mean for our thinking about the theatre. These many possible worlds circle around questions that include: In what way is writing itself a performance? How do we understand the relationship between real performances that engender imaginary reflections and imaginary conceptions that form the basis for real theatrical productions? Are we not always imagining theatres when we read or even when we sit in the theatre, watching whatever event we imagine we are seeing?
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