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This edited work offers an interdisciplinary exploration of the meanings, uses, and contradictions of nationalism, critical to contemporary understandings of Canada and Canadians.
From the expansionist fervour of the late nineteenth century through both world wars and the Cold War, a varied and ever-changing group of dreamers campaigned for Canada’s union with the British Caribbean colonies. They hoped to diversify Canada’s climate and agricultural capabilities, spur economic development, boost the nation’s autonomy and stature in the Empire-Commonwealth and the world, temper American power, and secure a tourist paradise. Dominion over Palm and Pine traces the transnational ebb and flow of these union campaigns, situating them in the global history of colonialism and white supremacy, Black activism, and decolonization. Paula Hastings centres the British Caribbea...
The first major volume to place U.S.-centered labor history in a transnational focus, Workers Across the Americas collects the newest scholarship of Canadianist, Caribbeanist, and Latin American specialists as well as U.S. historians. These essays highlight both the supra- and sub-national aspect of selected topics without neglecting nation-states themselves as historical forces. Indeed, the transnational focus opens new avenues for understanding changes in the concepts, policies, and practice of states, their interactions with each other and their populations, and the ways in which the popular classes resist, react, and advance their interests.What does this transnational turn encompass? An...
Canada and the British World surveys Canada's national history through a British lens. In a series of essays focusing on the social, cultural, and intellectual aspects of Canadian identity over more than a century, the complex and evolving relationship between Canada and the larger British World is revealed. Examining the transition from the strong belief of nineteenth-century Canadians in the British character of their country to the realities of modern multicultural Canada, this book eschews nostalgia in its endeavour to understand the dynamic and complicated society in which Canadians did and do live.
The Roundhouse Aquarium: The Early Years covers the development of this marine studies center from its early roots in the 1970s until the end of the 1980s. In addition, the first chapter gives brief background information regarding the opening of the Roundhouse in 1922 until its deteriorated condition in the 1970s. The book chronicles both the challenges and rewards that the founders faced and deals with the human perspective as well as that of the marine environment. It serves as a lead in to the continued existence of today's Roundhouse Aquarium Teaching Center.
In some ways, Canadian history has always been international, comparative, and wide-ranging. However, in recent years the importance of the ties between Canadian and transnational history have become increasingly clear. Within and Without the Nation brings scholars from a range of disciplines together to examine Canada’s past in new ways through the lens of transnational scholarship. Moving beyond well-known comparisons with Britain and the United States, the fifteen essays in this collection connect Canada with Latin America, the Caribbean, and the wider Pacific world, as well as with other parts of the British Empire. Examining themes such as the dispossession of indigenous peoples, the influence of nationalism and national identity, and the impact of global migration, Within and Without the Nation is a text which will help readers rethink what constitutes Canadian history.
Colonialism endures in Canada today. Dismantling it requires an understanding of how colonialism operated across the British Empire and why Canada’s colonial experience was unique. Whereas colonies such as India were ruled through despotism and violence, Canada’s white settler population governed itself while oppressing the Indigenous peoples whose lands they were on. Canada and Colonialism shows that Canadians’ support for colonial rule – both at home and abroad – is the reason colonialism remains entrenched in Canadian law and society today. Author Jim Reynolds presents a truly compelling account of Canada’s colonial coming of age and its impacts on Indigenous peoples, including the settler-led internal colonialism behind the Indian Act and those who enforced it. As one of the nation’s leading experts in Aboriginal law, Reynolds provides a vital accounting of the historical underpinnings and contemporary challenges the nation must address to reconcile with Indigenous peoples and move toward decolonization.
Colonial hierarchy and race fueled rapid militarization in the British Empire that shaped the violent course of the twentieth century. This innovative study reveals the colonial backstory of a century that witnessed total war, resulting in new political norms that enthrone 'national security' as the dominating feature of contemporary politics.
The vast Canadian landscape has captured the imagination of visual artists since the first European contact. Although artistic engagement with the landscape has a long history, some periods have drawn considerable critical attention, while others have been left almost unexamined. Picturing the Land surveys work from coast to coast, from the earliest maps to postwar painting in English and French Canada, To provide a comprehensive view of Canadian landscape art. Emphasizing the ways in which social, economic, and political conditions determine representation, Marylin McKay moves beyond canonical images and traditional nationalistic interpretations by analyzing Canadian landscape art in relation to different concepts of territory. Taking an expansive and inclusive perspective on Canadian landscape art, McKay depicts this tradition in all its diversity and draws it into the larger body of Western landscape art, broadening the horizon of future study, appreciation, and criticism. Richly illustrated and filled with sophisticated and innovative commentary, Picturing the Land provides new and distinct histories of the landscape art of French and English Canada.