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At the heart of Clothed in Language lies a journal, but the writing, while personal, has been given a thematic structure. Seeing language as a vital medium through which the divine is made present to us, scholar and poet Pauline Matarasso explores the ways in which this God-given language, with its overcoat of metaphor and undertow of rhythm, serves to reflect the truth and, on occasion, mask it. This book also includes an essay that looks at certain features common to myth, fairy tale, lore, and Scripture.
Christian Mystics: 108 Seers, Saints and Sages celebrates the many types of mystics, visionaries, wisdom keepers, and non-dualists whose spiritual insight and perceptive teachings have illuminated the Christian tradition for the past two thousand years. Looking at 108 mystics from Biblical times to the present day, this user-friendly guide shows how the spiritual masters of the western tradition provide a variety of paths into the transforming heart of God. Everyone needs teachers and companions to guide and nurture us in developing rich interior lives -- as we seek to respond to the beatifying, deifying love of God. The mystics, whose legacy includes sublime poetry, fascinating autobiograph...
The legend of King Arthur is embedded in British and American culture. Contemporary America, in particular, is a rich breeding ground for the Arthurian mythos, not only in films, novels, short stories, and fantasy and science fiction, but in other areas of popular and mass culture as well. This work is a collection of 18 previously unpublished essays that demonstrate the impressive extent to which the Arthurian legend continues to permeate contemporary culture beyond film and literature. The essays cover the Arthurian legend in economics, ethics, education, entertainment, music, fun and games, the Internet, and esoterica. Instructors considering this book for use in a course may request an examination copy here.
This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lo...
John of Forde's Life of Wulfric of Haselbury 'priest, healer, seer, mystic, who lived in a cell abutting a village church from 1125 until his death in 1154 'is a classic of its kind. It portrays the daily life of the recluse, his austerities, the hours of prayer, his familiar companionship with his God, as well as his place in the community, a network of relationships stretching country-wide and friendships maintained over many years with both women and men. John, prior and later abbot of Forde, is the devoted guide opening up the treasures of his Wulfric to any who care to listen. The work, too little read or studied for want of a translation, is now made available not only to the medievalist but to anyone with an interest in the spiritual life.
Queen's Mate tells the story of three remarkable women who shaped and presided over the destiny of France during the last years of the 15th century and the early part of the 16th: Anne of France, Anne of Brittany, and Louise of Savoy. Although each is worthy of her own individual biography, their lives were so enmeshed by kinship, marriage and circumstances as to be well served by a book that mirrors the complex interweaving of their lives. Their story is rich enough in dramatic incident to provide a gripping narrative, but the book looks also at the wider issues: at the restrictions, particularly in the exercise of power, placed on the three women by society; at their success in ignoring or pushing back those barriers; at what they wanted or expected for their daughters; and at how they saw themselves in relation to men. The study draws largely on contemporary sources, both printed and manuscript, and presents material hitherto unknown or overlooked. It is the first study of the three women as a group, and indeed is one of the first modern, reliable studies in English or French of any one of them as an individual.
Decodes the message inscribed on the Great Cross of Hendaye in France • Uses the work of 20th-century alchemist Fulcanelli to predict the date of the fatal season of the apocalypse • Shows how periodic galactic alignments may cause catastrophes on Earth • Examines how the secret of the center of the galaxy reveals the true location of the lost civilization of Atlantis • Reveals the alchemical secret of the imperishable Light Body of ancient Egypt deep within our DNA The Mysteries of the Great Cross of Hendaye reveals one of Western occultism's deepest secrets: The alchemical transformation of base metal into gold is also the transformation of the current Iron Age into the Golden Age....
The cult of the Christ Child flourished in late medieval Europe across lay and religious, as well as geographic and cultural boundaries. Depictions of Christ's boyhood are found throughout popular culture, visual art, and literature. The Christ Child in Medieval Culture is the first interdisciplinary investigation of how representations of the Christ Child were conceptualized and employed in this period. The contributors to this unique volume analyse depictions of the Christ Child through a variety of frameworks, including the interplay of mortality and divinity, the medieval conceit of a suffering Christ Child, and the interrelationships between Christ and other figures, including saints and ordinary children. The Christ Child in Medieval Culture synthesizes various approaches to interpreting the cultural meaning of medieval religious imagery and illuminates the significance of its most central figure.
This book is a major re-appraisal of the Commedia as originally envisaged by Dante: as a work of ethics. Privileging the ethical, Corbett increases our appreciation of Dante's eschatological innovations and literary genius. Drawing upon a wider range of moral contexts than in previous studies, this book presents an overarching account of the complex ordering and political programme of Dante's afterlife. Balancing close readings with a lucid overview of Dante's Commedia as an ethical and political manifesto, Corbett cogently approaches the poem through its moral structure. The book provides detailed interpretations of three particularly significant sins - pride, sloth, and avarice - and the three terraces of Purgatory devoted to them. While scholars register Dante's explicit confession of pride, the volume uncovers Dante's implicit confession of sloth and prodigality (the opposing subvice of avarice) through Statius, his moral cypher.