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A Tingling Catch
A TINGLING CATCH is the first anthology of New Zealand cricket poems to be collected. This substantial volume traces the history of cricket poetry in New Zealand from 1864 to 2009 spanning 145 years of New Zealand cricket. It brings together verse and song by some of our best poets - past and present. From Samuel Butler's classic description of the visiting All-England XI in 1864 to Arnold Wall's widely known First World War piece, 'A Time Will Come', to the 'underarm incident' of 1981 and more recent cricket poems that feature current members of the New Zealand team. A TINGLING CATCH is presented with notes by editor and cricket follower Mark Pirie and a foreword (a poem) by well-known cricket historian, former national selector and former President of NZ Cricket, Don Neely. It contains over 100 poems and songs and features a wide variety of forms and styles from rhyming poetry to free verse and is sure to appeal to cricket lovers and poetry readers of all ages.
New Zealand and the Sea
As a group of islands in the far south-west Pacific Ocean, New Zealand has a history that is steeped in the sea. Its people have encountered the sea in many different ways: along the coast, in port, on ships, beneath the waves, behind a camera, and in the realm of the imagination. While New Zealanders have continually altered their marine environments, the ocean, too, has influenced their lives. A multi-disciplinary work encompassing history, marine science, archaeology and visual culture, New Zealand and the Sea explores New Zealand’s varied relationship with the sea, challenging the conventional view that history unfolds on land. Leading and emerging scholars highlight the dynamic, ocean-centred history of these islands and their inhabitants, offering fascinating new perspectives on New Zealand’s pasts. ‘The ocean has profoundly shaped culture across this narrow archipelago . . . The meeting of land and sea is central in historical accounts of Polynesian discovery and colonisation; European exploratory voyaging; sealing, whaling and the littoral communities that supported these plural occupations; and the mass migrant passage from Britain.’ – Frances Steel
Commo Bill
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Studying the European Visual Arts 1800-1850
-A publication collecting the papers from the CATS conference, Technology & Practice: Studying the European Visual Arts 1800-1850 This publication contains papers from the CATS conference - Technology & Practice: Studying the European Visual Arts 1800-1850. The conference focused on artists' techniques and materials, written sources, conservation science, the history of science and technology, history of trade, and innovation of artists' materials during the first half of the 19th century. In the preceding several decades a succession of art academies emerged throughout Europe, and another focal point of the conference was the impact of these institutions on a new generation of artists, examining how this manifested itself in their paintings, sculpture, interiors and art on paper.
Coercion in Community Mental Health Care
The use of coercion is one of the defining issues of mental health care. Since the earliest attempts to contain and treat the mentally ill, power imbalances have been evident and a cause of controversy. There has always been a delicate balance between respecting autonomy and ensuring that those who most need treatment and support are provided with it. Coercion in Community Mental Health Care: International Perspectives is an essential guide to the current coercive practices worldwide, both those founded in law and those 'informal' processes whose coerciveness remains contested. It does so from a variety of perspectives, drawing on diverse disciplines such as history, law, sociology, anthropo...
The History of Mary Prince
Prince — a slave in the British colonies — vividly recalls her life in the West Indies, her rebellion against physical and psychological degradation, and her eventual escape in 1828 in England.
