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Dating the Passion
Drawing on computistical and astronomical sources from late antiquity to the Renaissance, this book demonstrates how pre-modern Christian attempts to determine the principal dates of the life of Jesus played an essential role in the development of historical chronology.
Depictions of the Three Orders and Estates around the Year 1500
This volume highlights the copious and various depictions of the three orders of society during the Late Middle Ages and at the beginning of the Early Modern Period. It discusses the origins and development of the trifunctional division into the orders of the oratores, bellatores and laboratores, and the abundantly preserved visual material, which proves that this scheme was one of the most widespread ideological foundations of European societies at that time. Late Gothic and Renaissance depictions of the three orders of society can be found in different mediums, from woodcuts to wall paintings, and were produced by important artists such as J. Fouquet and Pieter Bruegel, as well as anonymous painters. The vast numbers of preserved examples of this topic confirm the significance and strength of this iconographic theme at the end of the Middle Ages.
The Astronomical Revolution
Originally published in English in 1973. This volume traces the development of the revolution which so drastically altered man’s view of the universe in the sixteenth and seventeenth centuries. The "astronomical revolution" was accomplished in three stages, each linked with the work of one man. With Copernicus, the sun became the centre of the universe. With Kepler, celestial dynamics replaced the kinematics of circles and spheres used by Copernicus. With Borelli the unification of celestial and terrestrial physics was completed by abandonment of the circle in favour the straight line to infinity.
The Astronomical Revolution
Lucid study illuminates contributions of three great pioneers in astronomy whose 16th- and 17th-century work transformed the human conception of the universe. Includes key passages from original works. 59 illustrations.
