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The Boundaries of Faith: The Development and Transmission of Medieval Spirituality
This volume deals with the ways in which religious Faith was communicated and adapted during the late medieval period and after, and with the ways in which spirituality, culture, written texts and gender interacted during the same period. Drawing on texts like the Book of Margery Kempe, popular prayers, romances and devotions, well-known devout practices, mystical and visionary writing, and devout representations like the Arma Christi, the book addresses the ways in which these both informed and were informed by attitudes towards Faith and Belief which continue today. Subjects include: the development of religious attitudes; devotion to Christ's blood; the influence of mysticism on literary texts; Chaucer's feminism; Eastern sources; and the transmission of medieval spirituality into the New World.
Feud, Violence and Practice
This collection presents an innovative series of essays about the medieval culture of feud and violence. Featuring both prominent senior and younger scholars from the United States and Europe, the contributions offer various methods and points of view in their analyses. All, however, are indebted in some way to the work of Stephen D. White on legal culture, politics, and violence. White's work has frequently emphasised the importance of careful, closely focused readings of medieval sources, as well as the need to take account of practice in relation to indigenous normative statements. His work has thus made historians of medieval political culture keenly aware of the ways in which various rhetorical strategies could be deployed in disputes in order to gain moral or material advantage.
The Marvellous and the Monstrous in the Sculpture of Twelfth-century Europe
Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque scul...
Nachbar Hitler
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A Dictatorship of Relativism?
In the last homily he gave before becoming Pope Benedict XVI, Cardinal Joseph Ratzinger described modern life as ruled by a "dictatorship of relativism which does not recognize anything as definitive and whose ultimate goal consists solely" of satisfying "the desires of one's own ego." An eminent scholar familiar with the centuries-old debates over relativism, Ratzinger chose to oversimplify or even caricature a philosophical approach of great sophistication and antiquity. His homily depicts the relativist as someone blown about "by every wind of doctrine," whereas the relativist sticks firmly to one argument--that human knowledge is not absolute. Gathering prominent intellectuals from disci...
Gellerman's International Reed Organ Atlas
This second edition of Gellerman's classic reference work is a must for collectors and aficionados of reed organs.
Images of Cult and Devotion
Medieval pilgrims not only worshipped relics, they also venerated statues and paintings. These images or idols' were of particular importance in the day-to-day religion of ordinary people judged superstitious by the Church.
The Mind's Eye
The Mind's Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentativ...
The Meanings of Nudity in Medieval Art
Addressing a strangely neglected key issue in the history of art, this volume engages the variety and complexity of medieval representations of the unclothed human body. The Meanings of Nudity in Medieval Art breaks ground by offering a variety of approaches to explore the meanings of both male and female nudity in European painting, manuscripts and sculpture ranging from the late antique era to the fifteenth century.
