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Disintegration in Frames
Disintegration in Frames explores the relationship between aesthetics and ideology in the Yugoslav and post-Yugoslav cinema, with emphasis on issues of nationalism, internationalism, and interethnic relations.
Cinema by Other Means
This title recounts the history of para-cinema - the long tradition within the avant garde of adapting the tools, technologies, and techniques of conventionalfilm-making. Levi's study considers works by filmmakers, artists, and theorists from France, Italy, the Soviet Union, Germany, Hungary, and Yugoslavia.
Cinema by Other Means
Cinema by Other Means explores avant-garde endeavors to practice the cinema by using the materials and the techniques different from those commonly associated with the cinematographic apparatus. Using examples from both the historical and the post-war avant-garde -- Dada, Surrealism, Letterism, "structural-materialist" film, and more -- Pavle Levi reveals a range of peculiar and imaginative ways in which filmmakers, artists, and writers have pondered and created, performed and transformed, the "movies" with or without directly grounding their work in the materials of film. The study considers artists and theorists from all over Europe --- France, Italy, Soviet Union, Germany, Hungary -- but it particularly foregrounds the context of the Yugoslav avant-garde. Cinema by Other Means offers the English-language reader a thorough explication of an assortment of distinctly Yugoslav artistic phenomena, such as the Zenithist cine-writings of the 1920s, the proto-structural Antifilm movement of the early 1960s, and the "ortho-dialectical" film-poetry of the 1970s.
Jolted Images
Jolted Images brings together a large cast of mainstream and avant-garde cineastes, artists, photographers, comics creators, poets, and more, to reflect on a wide range of phenomena from the realms of cinema and visual culture in the Yugoslav region, broader Europe, and North America. Far from a staid monograph, the book takes a cue from filmmaker Du¿an Makavejev, who once wrote that there are times when it is necessary "to jolt art, no matter what the outcome"; to that end, the book infuses its analysis with playful, creative transfiguration of the material at hand.
Surfing the black : Yugoslav Black Wave cinema and its transgressive moments
The Yugoslav black wave cinema of the sixties and the seventies is one of the grand, though hidden, chapters of cinema history. Talented young authors, working under the sign of individual expression and aesthetic experimentation, pushed and explored the limits of the constraints of a socialist state. Their efforts lead to a new path of visual expression, so outstanding by its social and political engagement, its formal invention, and its courage. This book is the result of a multi-disciplinary research attempting to cross over politics, philosophy, design, art, architecture, and some speculative thinking. Starting from archival work, interviews, seminars, screenings and a conference, 'Surfing the Black' has found its (temporary) conclusion in a publication consisting of six theoretical essays and three fanzines that open up the black wave film experience to current affairs.
The Humanist Controversy and Other Writings
There can be little doubt that Louis Althusser was one of the most influential philosophers of the twentieth century, and his influence subsists in many of the concepts currently deployed in disciplines such as cultural studies, social theory and literary criticism. Yet Althusser was also a leading intellectual in the French Communist Party and a foremost participant in the debates in the human sciences that are marked by the names of Claude Lvi-Strauss, Jacques Lacan and Georges Canguilhem. His writings were major interventions in a specific political and theoretical conjuncture and it is this aspect of his work that this new collection of previously untranslated texts seeks to reflect. Consisting of writings from the very height of Althusser's intellectual powers, during the period 1966-67, this book covers, among other things, the critique of Lvi-Strauss's structuralism, the theory of discourse and its relationship to psychoanalysis, the place of Ludwig Feuerbach, the tasks of Marxist philosophy, and the famous "humanist controversy."
Ethnic Europe
Ethnic Europe examines the increasingly complex ethnic challenges facing the expanding European Union. Essays from eleven experts tackle such issues as labor migration, strains on welfare economies, the durability of local traditions, the effects of globalized cultures, and the role of Islamic diasporas, separatist movements, and threats of terrorism. With Europe now a destination for global immigration, European countries are increasingly alert to the difficult struggle to balance minority rights with social cohesion. In pondering these dilemmas, the contributors to this volume take us from theory, history, and broad views of diasporas, to the particularities of neighborhoods, borderlands, and popular literature and film that have been shaped by the mixing of ethnic cultures.
Making a Nation, Breaking a Nation
This book focuses on the cultural processes by which the idea of a Yugoslav nation was developed and on the reasons that this idea ultimately failed to bind the South Slavs into a viable nation and state. The author argues that the collapse of multinational Yugoslavia and the establishment of separate uninational states did not result from the breakdown of the political or economic fabric of the Yugoslav state; rather, that breakdown itself sprang from the destruction of the concept of a Yugoslav nation. Had such a concept been retained, a collapse of political authority would have been followed by the eventual reconstitution of a Yugoslav state, as happened after World War II, rather than t...
Making Images Move
Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
Futurist Cinema
Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection Futurist Cinema, Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.
