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The Great War gave birth to some of the twentieth century's most celebrated writing; from Brooke to Sassoon, the poetry generated by the war is etched into collective memory. But it is in prose fiction that we find some of the most profound insights into the war's individual and communal tragedies, the horror of life in the trenches and the grand farce of the first industrial war. Featuring forty-seven writers from twenty different nations, representing all the main participants in the conflict, No Man's Land is a truly international anthology of First World War fiction. Work by Siegfried Sassoon, Erich Maria Remarque, Willa Cather and Rose Macaulay sits alongside forgotten masterpieces such as Stratis Myrivilis' Life in the Tomb, Raymond Escholier's Mahmadou Fofana and Mary Borden's The Forbidden Zone. No Man's Land is a brilliant memorial to the twentieth century's most cataclysmic event.
Commemorating the October 2017 centenary of the Russian Revolution, an anthology of wide-ranging voices and scholarship throwing fresh light on this momentous historical event.
Commemorating the October 2017 centenary of the Russian Revolution, an anthology of wide-ranging voices and scholarship throwing fresh light on this momentous historical event. This October the world commemorates the centenary of the Russian Revolution, one of the crucial moments of the twentieth century, and an event passionately fought over by those on all sides of the political spectrum. Revolution! will contain writing by Russians and by foreigners who went to Russia and for whom the Russian Revolution was a political litmus test. The themes—hunger and heating, the limits of personal freedom, the infallibility of the party, free love, the role of art in the revolution—dominated twent...
Leonard March walks free from jail after fourteen years' hard time, served after turning state's witness against his Mafia boss Salvatore Lombard. It's only after Leonard is sentenced that the public learned that he was a Mob hitman with eighteen deaths to answer for. Leonard is released to public outrage and media furore. He spends his time working as a janitor while looking over his shoulder, fearful of a vigilante attack or a revenge hit from his former colleagues. At 62 and with plenty of time on his hands, he is at an age when most men grow reflective and attempt to understand their mark on the world. But for Leonard, while the threats to his safety are not imagined, his self-reflection may pose the greatest threat of all.
A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fiction Follows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularity Features full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the field Includes extensive references to the most up-to-date scholarship, and a comprehensive bibliography
Morris Magellan wakes one morning to find himself stuck in a corporate job and living the suburban dream with a wife and two children, except this dream feels like a nightmare. Out of his depth and starting to drift from reality, we meet Morris at the precipice. Bit by bit he is losing his struggle with addiction – he just doesn't know it yet. His only solace and escape from suburban family life and corporate duties is music and alcohol. His life is soundtracked with symphonies and concertos, every note, and every drink, carries him from moment to moment hoping to salvage something of himself before that too slips from his grasp. Harrowing but compellingly written, with humour and compassion, The Sound of My Voice is a stylistic masterpiece that presents conflict between a man's cowardice and cruelty, and a desperate attempt to recover his humanity.
A decade ago, Manu Chao's band, Mano Negra, toured Colombia by train, negotiating with government troops and rebels - an episode described at the time as 'less like a rock'n'roll tour - more like Napoleon's retreat from Moscow'. That's Manu in a nutshell. He does everything differently. He is a multi-million selling artist who prefers sleeping on friends' floors to five-star hotels, an anti-globalisation activist who hangs out with prostitute-activists in Madrid and Zapatista leader Comandante Marcos in Chiapas, a recluse who is at home singing in front of 100,000 people in stadiums in Latin America or festivals in Europe. Clandestino has been five years in the writing, as Peter Culshaw followed Manu around the world, invited at a moment's notice to head to the Sahara, or Brazil, or to Buenos Aires, where Manu was making a record with mental asylum inmates. The result is one of the most fascinating music biographies we're ever likely to read.
Chip told us not to go out. Said, don't you boys tempt the devil. But it been one brawl of a night, I tell you. The aftermath of the fall of Paris, 1940. Hieronymous Falk, a rising star on the cabaret scene, was arrested in a cafe and never heard from again. He was twenty years old. He was a German citizen. And he was black. Fifty years later, Sid, Hiero's bandmate and the only witness that day, is going back to Berlin. Persuaded by his old friend Chip, Sid discovers there's more to the journey than he thought when Chip shares a mysterious letter, bringing to the surface secrets buried since Hiero's fate was settled. In Half Blood Blues, Esi Edugyan weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don't tell your story, someone else might tell it for you. And they just might tell it wrong ...
This collection introduces the reader to the life and times of Stuart Hood (1915-2011). Highlighting Hood’s year spent fighting with the Italian Resistance during the Second World War, the essays consider how his experiences as a partisan influenced his peacetime trajectory. Written by distinguished scholars from several disciplines, each chapter examines different aspects of Hood’s life and work, including his Scottish boyhood and university education in Edinburgh; his distinguished career as a broadcaster presiding over an era of unprecedented creativity at BBC television; his role in the establishment of the discipline of media studies; and his contribution to radical European culture as the translator of 40 literary works from Italian, German, French and Russian, and as the author of eight acclaimed novels. Stuart Hood’s reticence made him an enigma to many who knew him. This collection assesses his many-faceted achievements, demonstrating how his life provides fresh insights into twentieth-century European history. This book will appeal to readers interested in the history of British and European socialism, media studies and literature.
"The Translator's Dialogue: Giovanni Pontiero" is a tribute to an outstanding translator of literary works from Portuguese, Luso-Brasilian, Italian and Spanish into English. The translator introduced authors such as Carlos Drummond de Andrade, Manuel Bandeira, Clarice Lispector and Jose Saramago to the English reading world.Pontiero's essays shed light on the process of literary translation and its impact on cultural perception. This process is exemplified by Pontiero the translator and analyst, some of the authors he collaborated with, publishers' editors and literary critics and, finally, by an unpublished translation of a short story by Jose Saramago, "Coisas."