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Of Heart and Mind
In his new book, Of Heart and Mind: A Psychiatrists Poems, retired physician, psychiatrist, and psychoanalyst Dr. Peter Alan Olsson shares the poetry that made his difficult career meaningful. He notes, My personal use of poetry, or prose writing, helped me manage soul-sadness by discharging, soothing, containing or sublimating the realities of my work life in psychiatry and psychoanalysis. At a personal level, I often feel that my poems write me in an almost mystical sense. They help me heal my pain, celebrate my artistic gift and express my feelings. As he writes in his poem My Lovely Dream Dancer: In the delicious, relaxed, loving domain before dawn, we touch like two dream dancers reluctant to awaken ... and the music of our love is too sweet to interrupt. The grasping demands of the day loom like mine fields, but become bearable because we will dance again tonight.
The Cult of Osama
In The Cult of Osama, Psychiatrist Peter Olsson examines Osama bin Laden's early life experiences and explains, from a psychoanalytical perspective, how those created a mind filled with perverse rage at America, as well as why his way of thinking makes bin Laden in many cases a hero to Arab and Muslim youths. Many other writings totally demonize bin Laden, and therein strangely play into putting this troubled man onto a pedestal, says Olsson, who spent 25 years on a social psychological and psychoanalytical study of destructive cults and cult leaders. There are many journalistic, political, military, and intelligence books about bin Laden and his terror cult group. But this one offers a pure...
Roster
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Terrorism, 2008-2012
This comprehensive chronology provides coverage of every international terrorist attack covered in public literature--including newspapers, news magazines, radio, television, websites, and other media--from 2008 through 2012, plus updates on events that occurred before that period. It notes trends in suicide bombings, violence against Western and local hostages, letter bombs, food tampering, major assassinations, and other attacks by terrorists of all stripes. Changes in security measures around the world are also included, as are the key players in each event, ranging from terrorists to victims to individuals trying to prevent the next attack.
Telling an American Horror Story
Telling an American Horror Story collects essays from new and established critics looking at the many ways the horror anthology series intersects with and comments on contemporary American social, political and popular culture. Divided into three sections, the chapters apply a cultural criticism framework to examine how the first eight seasons of AHS engage with American history, our contemporary ideologies and social policies. Part I explores the historical context and the uniquely-American folklore that AHS evokes, from the Southern Gothic themes of Coven to connections between Apocalypseand anxieties of modern American youth. Part II contains interpretations of place and setting that mark the various seasons of the anthology. Finally, Part III examines how the series confronts notions of individual and social identity, like the portrayals of destructive leadership in Cult and lesbian representation in Asylum and Hotel.
The American Bar
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A Boyish God
The playground at Saint Thomas Moore School in Houston has become a terrifying place. When Sister Agnes hears young Will's fiery funeral sermon for a dead bird, she must comfort a group of fearful students. At the forceful insistence of his teachers, Will Powers reluctantly stops his explosive sermon. Will's teacher thinks that his parents, and particularly his father, seem very troubled. The parents won't return Sister Agnes's phone calls about similar events involving Will. School psychologist Sister Andrea Albright turns for help to a trusted psychiatrist friend, Dr. Tom Tolman. The ensuing therapy is seen from Will's perspective and the "helpful" adults around him. Those who would aid th...
