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Stomp and Shout
Long before the world discovered grunge, the Pacific Northwest was already home to a singular music culture. In the late 1950s, locals had codified a distinct offshoot of rockin' R&B, and a surprising number of them would skyrocket to success, including Little Bill and the Bluenotes, the Wailers, Ron Holden, Paul Revere and the Raiders, the Kingsmen, Merrilee Rush, and the Sonics. With entertaining accounts gleaned from hundreds of interviews, Peter Blecha tells the story of music in the Pacific Northwest from the 1940s to the 1960s, a golden era that shaped generations of musicians to come. The local R&B scene evolved from the area’s vibrant jazz scene, and Blecha illuminates the musical ...
Taboo Tunes
In this extensively researched ode to scandal Peter Blecha recounts the travails of musicians who have dared to air unacceptable topics. Filled with several centuries' worth of raunchy sex ditties morbid murder ballads satanic songs paeans to intoxi
Sonic Boom
(Book). The compelling saga of how one backwater music scene could produce such disparate mega-talents as the Ventures, Jimi Hendrix, Heart, Robert Cray, Queensryche, Sir Mix-a-Lot, Nirvana, and the legendary garage stompers, the Sonics. Includes 500-plus exclusive interviews with trailblazing DJs, sound engineers, label founders, and the luminaries of Northwest rock.
Changing the Tune
Even though the potential passage of the Equal Rights Amendment had cracked glass ceilings across the country, in 1978 jazz remained a boys’ club. Two Kansas City women, Carol Comer and Dianne Gregg, challenged that inequitable standard. With the support of jazz luminaries Marian McPartland and Leonard Feather, inaugural performances by Betty Carter, Mary Lou Williams, an unprecedented All-Star band of women, Toshiko Akiyoshi’s band, plus dozens of Kansas City musicians and volunteers, a casual conversation between two friends evolved into the annual Kansas City Women’s Jazz Festival (WJF). But with success came controversy. Anxious to satisfy fans of all jazz styles, WJF alienated som...
The Fierce Urgency of Now
The Fierce Urgency of Now links musical improvisation to struggles for social change, focusing on the connections between the improvisation associated with jazz and the dynamics of human rights struggles and discourses. The authors acknowledge that at first glance improvisation and rights seem to belong to incommensurable areas of human endeavor. Improvisation connotes practices that are spontaneous, personal, local, immediate, expressive, ephemeral, and even accidental, while rights refer to formal standards of acceptable human conduct, rules that are permanent, impersonal, universal, abstract, and inflexible. Yet the authors not only suggest that improvisation and rights can be connected; ...
The Country Music Reader
In The Country Music Reader Travis D. Stimeling provides an anthology of primary source readings from newspapers, magazines, and fan ephemera encompassing the history of country music from circa 1900 to the present. Presenting conversations that have shaped historical understandings of country music, it brings the voices of country artists and songwriters, music industry insiders, critics, and fans together in a vibrant conversation about a widely loved yet seldom studied genre of American popular music. Situating each source chronologically within its specific musical or cultural context, Stimeling traces the history of country music from the fiddle contests and ballad collections of the late nineteenth and early twentieth centuries through the most recent developments in contemporary country music. Drawing from a vast array of sources including popular magazines, fan newsletters, trade publications, and artist biographies, The Country Music Reader offers firsthand insight into the changing role of country music within both the music industry and American musical culture, and presents a rich resource for university students, popular music scholars, and country music fans alike.
Louie Louie
DIVThe fascinating story of one of the world's most famous rock 'n' roll songs /div
Seattle's Ravenna Neighborhood
For centuries, Native American tribes lived peacefully along the trout-filled stream in a ravine that would later become part of northeastern Seattle. In 1887, the Reverend Beck disembarked from the Seattle Lake Shore & Eastern Railroad and, in this same area, bought 300 lushly forested acres that he turned into a township and park, both called Ravenna. The town was only three and a half miles from the city center and soon boasted a flour mill and a finishing school. The park itself, with its giant trees, mineral springs, fountains, and music pavilion, soon became a major attraction and well worth the 25 admission. Eventually the timber was harvested and the school replaced by the university. Today the park remains a haven of serenity and the stream once again runs through it.
The Afterthought
The Afterthought brings back into focus the psychedelic sixties in all of their purple-haze glory, as seen through the eyes of legendary west coast music promoter and entrepreneur Jerry Kruz. Using the historical posters as a timeline, Kruz's recollections are a celebration of the resiliency of Woodstock-era arts and culture and foundational musical acts like the Grateful Dead, Janis Joplin, Steve Miller, The Collectors (Chilliwack), Tom Northcott Trio, Country Joe & the Fish and many more. Complete with selected discographies and band biographies for many of the musical acts included in the book, The Afterthought is illustrated throughout with selections from the folk-inspired and psychedelia-fuelled artwork of legendary artists Bob Masse and Frank Lewis.
