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A riveting read not only for those who recall his sporting legacy, but for anyone who resonates with Ted's fervent enthusiasm for both cricket and life.
Luke’s Gospel ends with the Lord’s ascending into heaven, and his Acts begins with it. His Gospel is a narrative of the ministry of the incarnated Jesus on earth; his Acts is a record of the continuing ministry of the resurrected and ascended Christ in heaven, carried out through His believers on earth. In the Gospels His ministry on earth, carried out by Himself, only sowed Himself as the seed of the kingdom of God into His believers, with no church being built up yet. In the Acts His ministry in heaven, carried out through His believers in His resurrection and ascension, spread Him as the development of the kingdom of God for the building up of the church throughout the entire world to constitute His Body, which is His fullness for His expression, and which is even the fullness of God for God’s expression.
When the rarely-seen billionaire Christy Pyon is accidentally photographed at the Cannes Film Festival with his new girlfriend, his wife, Maria, vows revenge
Do the great British public get the press the "Red Tops" think they deserve? Or are the tabloids' pious protestations of public interest really just a self-serving attempt to halt declining circulation? Peter Burden examines the News of the World's performance—with its Fake Sheikh and the illegal mobile phone tapping, which lead to a jail sentence for royal reporter Clive Goodman and the resignation of the editor. Burden also highlights the papers hypocrisy when Mazher Mahmood, the Fake Sheikh, was himself unmasked. This is a book for everyone concerned about standards in British tabloid journalism and people who care about privacy rights and the debate over serving the Public Interest versus the interest of the public.
Available in paperback for the first time, his book demonstrates how the personal became political in post-war Britain, and argues that attention to gay activism can help us to fundamentally rethink the nature of post-war politics. While the Left were fighting among themselves and the reformists were struggling with the limits of law reform, gay men started organising for themselves, first individually within existing organisations and later rejecting formal political structures altogether. Culture, performance and identity took over from economics and class struggle, as gay men worked to change the world through the politics of sexuality. Throughout the post-war years, the new cult of the t...
‘As a child I learned to dream. I am going to tell you about this dream. It started when I was really young. It started the first time I heard angry voices. Screaming and shouting. It scared me. It terrified me. Still does...’ For 16 year old Peter Young the price of finding his place in the world was to lose the world in himself; it was not a price he could afford. After the violent abduction of his parents by the criminal ‘Golden Hand’, Peter and his brilliant friend, Navinda, flee to the Dream Factory - a stone hut on a deserted beach. Peter has a precious secret that he must protect, but someone in the village is determined to find them and destroy the Dream Factory. The Dream Fa...
This revised and expanded edition of Forgiveness: A Catholic Approach will equip and inspire you to move toward forgiving those who have hurt you. With the power of God's grace, you can work through the process of forgiveness and find freedom in Christ. This book teaches all about forgiveness: what forgiveness is and what it isn't; how to forgive and why. It addresses questions that Catholics grapple with today more than ever before: forgiving the Church; working with anger; forgiving when we can't reconcile; forgiving and not condoning behavior; and how forgiveness doesn't mean we forget, but helps us remember differently. Filled with many vignettes of contemporary transgressions that have ...
Since the coming forth of the Book of Mormon in 1830, The Church of Jesus Christ of Latter-day Saints has added millions of people to its global membership. Crucial to its initial growth were converts from Great Britain who emigrated to join with other Latter-day Saints in the United States. Many, however, also stayed in the United Kingdom in order to establish a presence of the Church there. In The Latter-day Saint Image in the British Mind, authors Malcolm Adcock and Fred E. Woods explore the multifaceted perspectives of British people outside of the Latter-day Saint faith tradition and how these people’s perceptions of The Church of Jesus Christ of Latter-day Saints and its members generally have improved over time. In doing so, they present historical accounts, particularly through literature, film, and media reviews depicting Latter-day Saints and their faith. In addition, they utilize over a hundred face-to-face interviews and surveys of over a thousand Brits to determine how citizens of the United Kingdom perceive the Church in the twenty-first century.
This work presents 369 British films produced between 1937 and 1964 that embody many of the same filmic qualities as those "black films" made in the United States during the classic film noir era. This reference work makes a case for the inclusion of the British films in the film noir canon, which is still considered by some to be an exclusively American inventory. In the book's main section, the following information is presented for each film: a quote from the film; the title and release date; a rating based on the five-star system; the production company, director, cinematographer, screenwriter, and main performers; and a plot synopsis with author commentary. Appendices categorize films by rating, release date, director and cinematographer and also provide a noir and non-noir breakdown of the 47 films presented on the Edgar Wallace Mystery Theatre, a 1960s British television series that was also shown in the United States.