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Four Tales
The firework maker's daughter: In a country far to the east, Chulak and his talking white elephant Hamlet help Lila seek the Royal Sulphur from the sacred volcano so that she can become a master maker of fireworks like her father. I was a rat!, or, The scarlet slippers: A small homeless boy insists that three weeks ago he was a rat, but who is he really? Clockwork, or, All wound up: A tormented apprentice clock-maker, meets with a strange death when the figures of the town clock become the real life characters of a story told by the town's novelist, Fritz. The scarecrow and his servant: A scarecrow and his boy servant, Jack, set off on a dangerous adventure as they try to outwit the crooked Buffaloni family and stake their claim to valuable Spring Valley. Suggested level: primary, intermediate, junior secondary.
Re-embodying and Rethinking Greek and Roman Drama in Modern Times
Rooted in a range of approaches to the reception of classical drama, the chapters in this book reflect, in one way or another, that Greek and Roman drama in performance is an ongoing dialogue between the culture(s) of the original and the target culture of its translation/adaptation/performance. The individual case studies highlight the various ways in which the tradition of Greek and Roman plays in performance has been extremely productive, but also the ways in which it has engaged, at times dangerously, in political and social discourse.
Advances in Databases
This volume contains the proceedings of the eleventh British National Conference on Databases, held at Keele University, England. A dominant themein the volume is the provision of the means to enhance the capabilities of databases to handle information that has a rich semantic structure. A major research question is how to achieve such a semantic scale-up without sacrificing performance. There are currently two main paradigms within which it is possible to propose answers to this question, deduction-oriented and object-oriented. Both paradigms are well represented in this collection, with the balance in the direction of the deductive approach, which is followed by both the invited papers, by Michael Freeston from the European Computer-Industry Research Centre in Munich and Carlo Zaniolo from the University of California at Los Angeles. In addition, the volume contains 13 full papers selected from a total of36 submissions.
The Reluctant Film Art of Woody Allen
For three decades, no American filmmaker has been as prolific—or as paradoxical—as Woody Allen. From Play It Again, Sam (1972) through Celebrity (1998) and Sweet and Lowdown (1999), Allen has produced an average of one film a year, yet in many of these films Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists. In examining Allen's filmmaking career, The Reluctant Film Art of Woody Allen demonstrates that his movies often question whether the projected illusions of magicians/artists benefit audience or artists. Other Allen films dramatize the opposed conviction that the consoling, life-redeeming illusions of art are the b...
Sweet and Lowdown
Over a career that has spanned more than six decades, Woody Allen has explored the emotion of regret as a response to the existentialist dilemma of not being someone else. Tracing this recurrent theme from his stand-up comedy routines and apprentice work through classics like Annie Hall, Manhattan, The Purple Rose of Cairo, Hannah and Her Sisters, and Bullets Over Broadway as well as less esteemed accomplishments (Another Woman, Sweet and Lowdown, Cassandra's Dream), this volume argues that it is ultimately the shallowness of his protagonists' regret—their lack of deeply felt, sustained remorse—that defines Allen's pervasive view of human experience. Drawing on insights from philosophy, ...
Writers Directory
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Magic City
“A thug is someone who stands on his own. He lives by the decisions he makes and accepts the consequences. A thug is comfortable in his own skin. I wear mine like a glove.” Trick Daddy was born a thug—just a stone’s throw from downtown Miami, yet a world away from its dazzling beauty and sparkling wealth. Where grinding poverty, deadly crime, and devastating racial tension taught kids to live by the ’hood rules. Remarkably, Trick came from nothing and made it big just when his chances had run out. Magic City is the extraordinary tale of a boy whose father was a pimp, who learned to hustle to survive, and whose only role model was his brother, the drug dealer he watched plying his t...
Runaway
Examining her mother’s youth as a runaway, the editor-in-chief of Salon analyzes how pop culture treats men’s stories versus women’s stories. In 1970, Erin Keane’s mother ran away from home for the first time. She was thirteen years old. Over the next several years, and under two assumed identities, she hitchhiked her way across America, experiencing freedom, hardship, and tragedy. At fifteen, she met a man in New York City and married him. He was thirty-six. Through a deft balance of journalistic digging, cultural criticism, and poetic reimagining, Keane pieces together the true story of her mother’s teenage years, questioning almost everything she’s been told about her parents ...
Track Changes
Writing in the digital age has been as messy as the inky rags in Gutenberg’s shop or the molten lead of a Linotype machine. Matthew Kirschenbaum examines how creative authorship came to coexist with the computer revolution. Who were the early adopters, and what made others anxious? Was word processing just a better typewriter, or something more?
