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Mirrorforms is a collection of poems in a tiny, eight-lined, intricately rhyming “mirrorform” I invented that begins and ends with the same line. Like John Berryman’s “Dream Songs,” Charles Wright’s “Sestets,” and Terrence Hayes’ “American Sonnets for My Past and Future Assassin,” this collection strives to develop the full range of expressive and sonic possibility in a single poetic form. The mirrorform’s two sets of mirrored envelope rhymes make it reminiscent of the octave of a Petrarchan sonnet – and, indeed, the great English-language tradition of the sonnet sequence is another major influence—but its slender trimeter lines and prominent identical repetition ...
Passion for Nothing offers a reading of Kierkegaard as an apophatic author. As it functions in this book, “apophasis” is a flexible term inclusive of both “negative theology” and “deconstruction.” One of the main points of this volume is that Kierkegaard’s authorship opens pathways between these two resonate but often contentiously related terrains. The main contention of this book is that Kierkegaard’s apophaticism is an ethical-religious difficulty, one that concerns itself with the “whylessness” of existence. This is a theme that Kierkegaard inherits from the philosophical and theological traditions stemming from Meister Eckhart. Additionally, the forms of Kierkegaard’s writing are irreducibly apophatic—animated by a passion to communicate what cannot be said. The book examines Kierkegaard’s apophaticism with reference to five themes: indirect communication, God, faith, hope, and love. Across each of these themes, the aim is to lend voice to “the unruly energy of the unsayable” and, in doing so, let Kierkegaard’s theological, spiritual, and philosophical provocation remain a living one for us today.
What parents, educators, and health professionals can do to recognize, prevent, and heal childhood trauma, from infancy through adolescence—by the author of Waking the Tiger Trauma can result not only from catastrophic events such as abuse, violence, or loss of loved ones, but from natural disasters and everyday incidents like auto accidents, medical procedures, divorce, or even falling off a bicycle. At the core of this book is the understanding of how trauma is imprinted on the body, brain, and spirit—often resulting in anxiety, nightmares, depression, physical illnesses, addictions, hyperactivity, and aggression. Rich with case studies and hands-on activities, Trauma Through a Child’s Eyes gives insight into children’s innate ability to rebound with the appropriate support, and provides their caregivers with tools to overcome and prevent trauma. “Trauma Through A Child’s Eyes . . . creates its own mold in a way that everyone concerned with the health and happiness of children will be grateful for.” —Gabor Maté, MD, author of Hold On to Your Kids
Deviants is about transgression and transcendence, about passing as a man or a woman, as gay or straight, about passing through unseen, passing by without stopping to help, passing over the threshold, passing from innocence, passing from life. The deviants in this book are the many masks we wear, the loners and flirts, the worriers and snarlers; they can be found in the deviant use of ancient forms. These poems are beautiful and meaningfully interactive, clear and accessible on their own, but become even richer in meaning as they are understood in the context of poetic tradition. Kline's words stick both in the mind and the craw. They engage powerfully with tradition while deviating into contemporary concerns in a contemporary idiom, while challenging the easy relationship between speaker and reader through the use of shifting personae whose designs on the reader are slippery and sometimes adversarial, in the tradition of Browning, Pound, and Plath.
Explaining clearly why and how successful learning occurs, this practical guide for producing confident, eager learners has been used and enthusiastically endorsed by thousands of parents and teachers. Includes dozens of stimulating games and activities.
Understand the different types of upsets and traumas your child may experience—and learn how to teach them how to be resilient, confident, and even joyful The number of anxious, depressed, hyperactive and withdrawn children is staggering—and still growing! Millions have experienced bullying, violence (real or in the media), abuse or sexual molestation. Many other kids have been traumatized from more “ordinary” ordeals such as terrifying medical procedures, accidents, loss and divorce. Trauma-Proofing Your Kids sends a lifeline to parents who wonder how they can help their worried and troubled children now. It offers simple but powerful tools to keep children safe from danger and to h...
Kline argues, from experience as a teacher, researcher, and consultant in reading and accelerated learning skills, that standardized testing produces a population that can follow instructions, but it kills our greatest resource: the creative minds of our children.
Whats a comedy writer like Peter Kline doing getting involved with syndicate bosses and crooked cops? Punch lines dont help much when youre walking around with millions of the Casinos money. On a wild trip that takes us from Atlantic City to the Cayman Islands we see that humor holds its own against the mob. With millions of dollars involved, Peter calls on his bizarre logic to find his way out of a situation he would have turned down if a writer had submitted the idea.
A mulit-purpose guide on how to turn every institution into a vital contributor to all its stakeholders. Peter Kline and Bernard Saunders have demystified the learning organization and translated its abstract and fuzzy notions into and extremely practical competitive strategy.
The Illusion of Intimacy: On Poetry brings Randall Mann’s characteristic wit, fearlessness, and attention to language, to twenty years of critical works, including reviews of early books by Laura Kasischke and Vijay Seshadri; essays on Shame, Money, and Forgetting; appreciations of Thom Gunn and John Ashbery; and two interviews. This incisive collection—a combination of criticism, close reading, autobiography, exuberance, and occasional irritation—offers a look into the mind of one of America’s finest formalists, revealing how the compression and vulnerability of the lyric draws us closer to, while asking us to resist, the limitations, freedoms, and intimacies of poetry.