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Magic in Theory
A useful manual for any magician or curious spectator who wonders why the tricks seem so real, this guide examines the psychological aspects of a magician’s work. Exploring the ways in which human psychology plays into the methods of conjuring rather than focusing on the individual tricks alone, this explanation of the general principles of magic includes chapters on the use of misdirection, sleight of hand, and reconstruction, provides a better understanding of this ancient art, and offers a section on psychics that warns of their deceptive magic skills.
The First Psychic
This is the story of the world's first recognised psychic, Daniel Dunglas Home, and the Victorians who deified and despised him. Originally published: London: Little, Brown, 2005.
The Man with the Golden Eye: Designing the James Bond Films
This deluxe, full-colour hardback is packed full of previously unseen images from the collection of James Bond production designer Peter Lamont. Oscar-winning production designer Peter Lamont worked behind the scenes on 18 lames Bond films, beginning with the 1960s classics starring Sean Connery and George Lazenby. Along the way, he worked with director James Cameron and contributed to The Ipcress File and Chitty Chitty Bang Bang. The Man With the Golden Eye is a richly illustrated memoir that provides an unparalleled insight into some of the best-loved films ever made.
Extraordinary Beliefs
This book examines the remarkable feats of mesmerists, mediums and mind-readers, and provides a new psychology of extraordinary beliefs.
The Rise of the Indian Rope Trick
Explores one of the most successful hoaxes of all time from the mystical East, and why people were so easily fooled.
The Chameleon Effect
Architecture and film have many things in common. Film narratives are embedded in scenes that visually support the story. Sometimes architecture even performs the role of an actor. Conversely, film with its multifaceted changing atmospheres reveals new layers of architecture which, outside the cinema, would remain concealed. In conclusion, film as a mass medium influences the way architecture is perceived, and its image in society. Since the beginning of cinema, architecture has formed a symbiosis with film. With its systematic analysis, this book offers a scientifically researched history of mutual influence, starting with filmography as a typology of well-known film sets through to the description of the chameleon effect between film and architecture.
Successful Societies
Why are some societies more successful than others at promoting individual and collective well-being? This book integrates recent research in social epidemiology with broader perspectives in social science to explore why some societies are more successful than others at securing population health. It explores the social roots of health inequalities, arguing that inequalities in health are based not only on economic inequalities, but on the structure of social relations. It develops sophisticated perspectives on social relations, which emphasize the ways in which cultural frameworks as well as institutions condition people's health. It reports on research into health inequalities in the developed and developing worlds, covering a wide range of national case studies, and into the ways in which social relations condition the effectiveness of public policies aimed at improving health.
The Secret History of Magic
Pull back the curtain on the real history of magic – and discover why magic really matters If you read a standard history of magic, you learn that it begins in ancient Egypt, with the resurrection of a goose in front of the Pharaoh. You discover how magicians were tortured and killed during the age of witchcraft. You are told how conjuring tricks were used to quell rebellious colonial natives. The history of magic is full of such stories, which turn out not to be true. Behind the smoke and mirrors, however, lies the real story of magic. It is a history of people from humble roots, who made and lost fortunes, and who deceived kings and queens. In order to survive, they concealed many secret...
The First Psychic
He was simply the greatest psychic of all time. He was also the first - before him, the word 'psychic' did not even exist. The feats he performed were so extraordinary that Victorian scientists had to invent the term in order to explain them. The man who became the world's first psychic was Daniel Dunglas Home. Now almost entirely forgotten, Home was a household name in Victorian Britain, a man of inexplicable ability who divided opinion wherever he went. Hated by Dickens and defended by Thackeray, denounced by faraday yet mysterious to Darwin, insulted by Tolstoy but patronised by the Emperor of France and the Csar of Russia. He was, it is said, the only subject upon which Robert and Elizabeth Barrett Browning ever argued. The astonishing feats he performed, and the bizarre personal life that attracted so much controversy, are little known today outside the esoteric world of psychical research. He rarely appears in the biographies of the many great Victorians who knew him as few could openly admit to such a controversial acquaintance. But everyone knew him, or knew of him. figures in history, and the strange and seemingly inexplicable events that occurred in his presence.
