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A Deep Danger is a powerfully realistic, sweeping, exciting and entertaining novel. It offers thoughtful analyses and spins a good yarn, has the intrigue and intellectual adroitness of a thriller, combined with an exquisite lyricism that turns it into a novel that refuses to stay shut. Breathtaking in scope and painfully human, written with passion and controlled power, A Deep Danger is a kind of contemporary novel, which is worth to be read, enjoyed and savored long after the last page is turned.
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"All you can usually say about a poem or a picture is, 'Look at it, listen to it.' Whether you listen to a piece of music or a poem, or look at a picture or a jug or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own."—Basil Bunting A close poetic ally of Ezra Pound and Louis Zukofsky, the British poet Basil Bunting is best known for his use of specific musical form in poetry. Several of his works, including his long poem Briggflatts, are in the form of the sonata. Although his language is plain, unvarnished English, his influences and models extend to Classical, Persian, and Japanese verse. Basil Bunting on Poetry collects two series of lectures that Bunting delivered in 1968 and 1974. Tracing the development of an English poetry governed by families of stress-groups from Beowulf down to Wyatt, Wordsworth, Whitman, Pound, and Zukofsky, the lectures focus on writing and hearing poetry rather than on literary-historical concerns. Throughout, editor Peter Makin expands upon and annotates the lectures with additional comments drawn from Bunting's writings.
Basil Bunting (1900-1985) is now recognized as one of the most important twentieth-century British poets. This study is the first book-length analysis of his life and poetic achievement. Makin focuses particularly on the saints and warriors that occupy a central position in Bunting's masterpiece, Briggflatts, and on the forms of music and of Northumbrian painting and writing that help determine its structure. This study reveals Bunting as a major figure both in the development of modernism and of twentieth-century poetry as a whole. Oxford University Press is also publishing Bunting's Uncollected Poems.
Forty-five years after his death, and more than seventy years after his indictment for treason, Ezra Pound remains a deeply controversial figure. Today it is hard to imagine a poet sparking national debate, but Pound did just that. His receipt in 1949 of the first-ever Bollingen Award for Poetry started a hue and cry that spread to every US periodical that made even a pretense of following "cultural" issues: even Time weighed in. It took two years for things to simmer down, and when they finally did, literary study looked profoundly different. Everyone engaged in the study of poetry today, professors and students alike, works in an environment shaped by that national crisis of conscience. Th...
This book explores Basil Bunting’s continued reputation and influence in modern British poetry, and also the impact of a peculiarly ‘Northern’ inflection of Modernism (which Bunting largely defined) within the varieties of poetry being written in Britain today. The editors asked a variety of English, Scottish, Welsh and American poets and academics to reflect upon the themes, implications, impact or example of Bunting’s work in the centenary year of his birth, looking back on the beginnings of Modernism at the start of the twentieth century into which he was born, or forward into the twenty-first century in which he continues to be read and learned from: a true poetic star to steer b...
This study explores Basil Bunting's poetry position as a point of inspiration for younger poets, and describe the ways in which it acts as a platform to show that Anglo-American modernism was not incompatible with native traditions.
The long-awaited second volume of A. David Moody's acclaimed three-part biography. The Epic Years examines Pound's middle years, a period which was also his most productive.