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Cyanotype is truly refreshing among the variety of books on historical and alternative photographic processes, since the author presents some old and almost forgotten techniques that are not seen in any recent book, and reveals some of the almost "secret", newer methods, such as production of bi-color cyanotype, double exposure techniques, etc... The book guides the reader with detailed descriptions and clear pictorial step-by-step instructions through the entire process of creating cyanotypes. At the beginning, we learn how to make chemicals, how to choose right paper, how to make digital negatives, how to expose the image, how to coat the paper with emulsion, and the like. In the following chapters are detailed descriptions on how to develop photographs, a large number of popular and some almost forgotten techniques of a simple one- and two-color toning of cyanotype, descriptions of making photograms, and a bit more challenging chapters of cyanotype printing on glass, stone and fabrics. The book does not lack practical examples of cyanotype for creating business cards, postcards, printed T-shirts and the like.
A collection of representative official portraits from the birth of photography to the period of photographic modernism.
Another amazing practical guide by Peter Mrhar. This time, you have a book before you that will take you step-by-step through the world of the Van Dyke Brown photographic process. Without too much theory, with clear demonstrations, with extensive descriptions of mistake corrections, with descriptions of advanced techniques to increase contrast, print on fabric, brighten photos, toning, etc... In short, another book that will lead you to the mastery of photography without neuroses.
Accessories which we use in alternative and old photographic processes are difficult to find and are sometimes quite expensive through regular sales channels. Most users, therefore, produce them at home, with the help of varied and sometimes quite conflicting information that can be found on the Internet. We try to some extent to overcome this lack of resources with this book, because in it are collected the most frequently used photographic tools, the operation of which has been verified in practice. As in all the books from the collection of Historical and Alternative Photography, the content of this book is also presented in an extremely comprehensible manner, since the procedures are described step-by-step, with rich pictorial support. The descriptions are presented without drawing plans, so that the devices can be adapted to the needs of readers who come from all over the world, and this regardless of the "standard" dimensions of different materials found in various countries. In the instructions where this is necessary, of course, the applied dimensions are written in both metric and imperial units.
The book Salt print is the third book in a series of books about historical and alternative photography. In it, the reader will learn the basic techniques of salted, albumenized, arrowroot, and matte paper. The author presents not only basic knowledge, as in all of his books, but further extends it with descriptions of other old, wonderful processes that are hard to find in other contemporary texts on this topic. Thus, he takes us into the forgotten world of printing on glass, where the reader will learn through very understandable descriptions the manufacturing process of once extremely popular opalotypes (printing on translucent white glass), and as a finale, the author explains one of the...
The salt print is the foundation of photography. William Henry Fox Talbot, known as the of photography, discovered the salt print process in 1834. The history of Talbot is quite remarkable. His early discoveries were the foundation of numerous photographic and print processes, many still practiced today. Due to the inherent masking ability the salt print can create a greater tonal range than other photographic print processes. The challenge is to create negatives that reach this extraordinary range. The salt print offers flexibility in controlling the colour, tones and hues.
Cyanotype: The Blueprint in Contemporary Practice is a two part book on the much admired blue print process. Part One is a comprehensive how-to on the cyanotype process for both beginner and advanced practitioners, with lots of photographs and clear, step-by-step directions and formulas. Part Two highlights contemporary artists who are using cyanotype, making work that ranges from the photographic to the abstract, from the traditional to the conceptual, with tips on their personal cyanotype methods alongside their work. These artists illustrate cyanotype’s widespread use in contemporary photography today, probably the most of any alternative process. Book features include: A brief discussi...
Polymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print. By quantifying the sensitometric behavior of polymer plates, Harmon has developed a methodical approach which will enable a new printmaker to produce plates in their own studio with a minimum of time and wasted materials. Section One provides a straightforward guide to setting up the polymer photogravure studio...
Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure, and only requires simple and safe steps for clearing to a stable, archival state. The authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creativ...
An excellent beginners’ guide to cyanotypes – all you need to get started, and some goodies for more advanced cyanotypers too. About the book The cyanotype is often the first alternative process that people try. It is relatively easy and safe enough to nurture a child’s interest in photography. It can also be seen as a gateway to further exploration of historic photographic methods. In addition, it gives experienced photographers and artists a great excuse to take their eyes off the computer screen and get their hands dirty. Blueprint to cyanotypes is all you will need to get started with cyanotypes. It offers the beginner a step-by-step guide, from choosing material to making the fina...