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The political elite of Nazi Germany perceived itself as a cultural elite as well. In Art as Politics in the Third Reich, Jonathan Petropoulos explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy
"The swastika and similar symbols were employed by the ancestors of the modern-day Germans. With the Nazi seizure of power, studies of such ideographs became directly supported by the state. The Science of the Swastika is the first theoretically informed study of the relationship between an academic discipline and what the Nazis termed their Weltanschauung. It surveys the fate of Old Germanic studies under the Nazis, a discipline of especial interest to the forces of German reaction. German swastika studies also gave rise to the SS-Ahnenerbe, the antiquarian research organization through which medical experiments were later to be performed on the inmates of concentration camps. The Old Germanic studies of the Nazi period proved to be a creative foil to the almost overwhelmingly destructive side of National Socialism."--BOOK JACKET.
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Nazi art looting has been the subject of enormous international attention in recent years, and the topic of two history bestsellers, Hector Feliciano's The Lost Museum and Lynn Nicholas's The Rape of Europa. But such books leave us wondering: What made thoughtful, educated, artistic men and women decide to put their talents in the service of a brutal and inhuman regime? This question is the starting point for The Faustian Bargain, Jonathan Petropoulos's study of the key figures in the art world of Nazi Germany. Petropoulos follows the careers of these prominent individuals who like Faust, that German archetype, chose to pursue artistic ends through collaboration with diabolical forces. Reade...
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A Sunday Times Best Book of 2023 'Magisterial' Kathryn Hughes, The Sunday Times (A Sunday Times Book of the Week) 'Rich, authoritative and highly readable, Andrew Pettegree's tour de force will appeal to anyone for whom, whatever the circumstances, books are an abiding, indispensable part of life.' David Kynaston Chairman Mao was a librarian. Stalin was a published poet. Evelyn Waugh served as a commando - before leaving to write Brideshead Revisited. Since the advent of modern warfare, books have all too often found themselves on the frontline. In The Book at War, acclaimed historian Andrew Pettegree traces the surprising ways in which written culture - from travel guides and scientific papers to Biggles and Anne Frank - has shaped, and been shaped, by the conflicts of the modern age. From the American Civil War to the invasion of Ukraine, books, authors and readers have gone to war - and in the process become both deadly weapons and our most persuasive arguments for peace.
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Two precocious eight year olds meet on a soccer fi eld in Jerusalem. They form a life long bond. University completed, its time to go to work and the lads seek career opportunities as agents for Interpol. Success follows them in their new profession. The Secretary General of Interpol decides to capitalize on his new recruits talents and they are given the assignment of heading up a task force to recover stolen art looted by the Nazis during WWII. This task brings them into conflict with dangerous organizations still today lumbered with the misplaced devotion to the great WWII evil Nazis.