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God and the Goddesses
Contrary to popular belief, the medieval religious imagination did not restrict itself to masculine images of God but envisaged the divine in multiple forms. In fact, the God of medieval Christendom was the Father of only one Son but many daughters—including Lady Philosophy, Lady Love, Dame Nature, and Eternal Wisdom. God and the Goddesses is a study in medieval imaginative theology, examining the numerous daughters of God who appear in allegorical poems, theological fictions, and the visions of holy women. We have tended to understand these deities as mere personifications and poetic figures, but that, Barbara Newman contends, is a mistake. These goddesses are neither pagan survivals nor ...
The Grail
"This volume of the "Arthurian Characters and Themes" series is the only one dealing with theme, rather than character. Essays include both newly commissioned and reprinted articles that explore a variety of issues regarding the Arthurian search for the Holy Grail. Topics include analysis of the Grail as vessel, Perceval's sister in the Grail quest, the symbolism of the Grail in Wolfram, chivalric nationalism, and investigations of the use of the Grail in poetry and literature by authors such as Tennyson, T.S. Eliot, and Walker Percy"--Barnes & Noble.
Bible Missals and the Medieval Dominican Liturgy
Bible Missals are manuscripts that integrate liturgical prayers for the Mass with the scriptural texts of the Latin Vulgate. Long overlooked by scholars, Bible Missals offer important evidence for the development of the medieval liturgy and the liturgical use of scripture by medieval Christians. This monograph is the first comprehensive analysis of the codicology and contents of Bible Missals. Mostly produced in the first half of the 13th century by professional book makers in centers like Paris and Oxford, these hybrid manuscripts were customized for secular, monastic, and mendicant patrons. This monograph focuses on Dominican Bible Missals, the largest group within the repertoire, providing detailed codicological descriptions of each manuscript and analyzing their texts for the Order of Mass and selected liturgical formularies, including prayers for the feast of St. Dominic. For medieval Christians, the words and events of scripture were continually called to mind and reenacted in the sacramental rites of the Mass. Bible Missals provide important material evidence for this interplay between word and sacrament.
Illuminating the Renaissance
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the n...
Franks, Burgundians, and Aquitanians and the Royal Coronation Ceremony in France
Deals with two unusual French ¿ordines¿ in which relevance took precedence over tradition. In both the pregnant phrase ¿Franks, Burgundians, & Aquitanians¿ appeared in the prayer following the king¿s unction in the place traditionally occupied by the alien triad ¿Saxons, Mercians, & Northumbrians.¿ The ceremonials were thus transformed & made fully appropriate for the ruler of France. Contents of this study: (1) ¿Franks, Burgundians, & Aquitanians¿ in the 12th Century: The ¿Ordo¿ of Lat. 14192; (2) The Reappearance of ¿Franks, Burgundians, & Aquitanians¿ in Early Modern France: Jean du Tillet; Du Tillet¿s Version of the ¿Ordo Maior¿ of ¿Croix¿; Theodore Godefroy & Du Tillet¿s ¿Ordo¿; (3) Conclusion. Appendix: The ¿Ordo Maior¿ of ¿Croix.¿ Bibliography.
Holiness and Masculinity in the Middle Ages
Studies in gender in medieval culture have tended to focus on femininity, however the study of medieval masculinities has developed greatly over the last few years. Holiness and Masculinity in the Middle Ages is the first volume to concentrate on this specific aspect of medieval gender studies, and looks at the ways in which varieties of medieval masculinity intersected with concepts of holiness. Patricia Cullum and Katherine J. Lewis have collected an exceptional group of essays that explore differing notions of medieval holiness, understood variously as religious, saintly, sacred, pure, morally perfect, and consider topics such as significance of the tonsure, sanctity and martyrdom, eunuch saints, and the writings of Henry Suso. Holiness and Masculinity in the Middle Ages deals with a wide variety of texts and historical contexts, from Byzantium to Anglo-Saxon and late-medieval England.
Guillaume de Machaut and Reims
Table of contents
Knighthood and Society in the High Middle Ages
In popular imagination few phenomena are as strongly associated with medieval society as knighthood and chivalry. At the same time, and due to a long tradition of differing national perspectives and ideological assumptions, few phenomena have continued to be the object of so much academic debate. In this volume leading scholars explore various aspects of knightly identity, taking into account both commonalities and particularities across Western Europe. Knighthood and Society in the High Middle Ages addresses how, between the eleventh and the early thirteenth centuries, knighthood evolved from a set of skills and a lifestyle that was typical of an emerging elite habitus, into the basis of a consciously expressed and idealised chivalric code of conduct. Chivalry, then, appears in this volume as the result of a process of noble identity formation, in which some five key factors are distinguished: knightly practices, lineage, crusading memories, gender roles, and chivalric didactics.
Medieval Manuscripts and Their Provenance
Essays about the creation, circulation, and collection of medieval manuscripts. The essays collected here celebrate the work of Barbara Shailor, the distinguished scholar of medieval manuscripts. They explore various aspects of their provenance. The subjects addressed range from studies of the history of individual manuscripts, to the evidence afforded by the understanding of their textual traditions, to the significance of the identification of fragments, to the roles of individual scholars and collectors. As a whole the volume contributes to a wider understanding of how the history and ownership of medieval manuscripts can be fruitfully examined, a flourishing area of interest in the field.
Art, Identity and Devotion in Fourteenth-century England
Examines the De Lisle hours of Margaret de Beauchamp, the De Bois hours (Dubois hours) of Hawisia de Bois, and the Neville of Hornby hours of Isabel de Byron.
