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Great Zimbabwe
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Early Art and Architecture of Africa
This new history of over 5,000 years of African art reveals its true diversity for the first time. Challenging centuries of misconceptions that have obscured the sophisticated nature of African art, Garlake focuses on seven key regions--southern Africa, Nubia, Aksum, the Niger River, West Africa, Great Zimbabwe, and the East African coast--treating each in detail and setting them in their social and historical context. Garlake is long familiar with and has extensive practical experience of both the archaeology and the art history of Africa. Using the latest research and archaeological findings, he offers exciting new insights into the works native to these areas, and he also puts forth new interpretations of several key cultures and monuments. Acknowledging the universal allure of the African art object, this stunning book helps us to understand more about the ways in which this art was produced, used, and received.
The Hunter's Vision
A survey of the rock art of the San peoples of prehistoric Zimbabwe. The prehistoric rock-painting of these peoples are amongst the world's greatest artistic and cultural treasures. There are many thousands of paintings in the granite hills and caves, most of them until recently undiscovered and unrecorded. Created many hundreds of years ago by societies that have long since disappeared, these paintings represent an important artistic tradition.
Art and Risk in Ancient Yoruba
In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife sought to define their past for generations of viewers.
People Making History
Zimbabwean history is covered in two books from a socialist perspective. Written in accessible language, Book 1 describes pre-colonial African history, enlivened by many drawings, photographs, original sources and maps which are integrated into the text. Book 2 applies a people-centred approach and examines Africa from colonization to the present day, in the context of international history. The course follows a thematic approach, balanced by a sense of chronology.
Handbook of Rock Art Research
While there has always been a large public interest in ancient pictures painted or carved on stone, the archaeological study of rock art is in its infancy. But intensive amounts of research has revolutionized this field in the past decade. New methods of dating and analysis help to pinpoint the makers of these beautiful images, new interpretive models help us understand this art in relation to culture. Identification, conservation and management of rock art sites have become major issues in historical preservation worldwide. And the number of archaeologically attested sites has mushroomed. In this handbook, the leading researchers in the rock art area provide cogent, state-of-the-art summaries of the technical, interpretive, and regional advances in rock art research. The book offers a comprehensive, basic reference of current information on key topics over six continents for archaeologists, anthropologists, art historians, and rock art enthusiasts.
The Drawings of Peter Lanyon
This title was first published in 2003. Peter Lanyon stood at the forefront of landscape painting in Europe during the late 1950s and early 60s. A prominent St Ives artist, he was associated with Barbara Hepworth, Ben Nicholson and Naum Gabo; his work also has affinities with abstract expressionism. Lanyon's career started just as the study of drawing was being liberated from 19th-century academic constrictions. His many drawings range from records of trips to the Netherlands and Italy to portrait sketches and abstract studies. Lanyon also used drawings extensively in the development of some of his most important paintings. In this study, Margaret Garlake explores Lanyon's theory and practice of drawing; the contribution of drawings to the evocation of place in paintings; his use of models and the metamorphosis of the human body into landscape images, as well as his use of three-dimensional constructions as equivalents to drawing.
St. Ives Artists
Margaret Garlake's study of Peter Lanyon provides a unique survey of his life and work, from his childhood friendship with Patrick Heron to international acclaim in the 1960s. He was the only Cornishman among the leading members of the St. Ives group.
The Zimbabwe Culture
Since the monumental architecture of the Zimbabwe Plateau first became known to Westerners in the 16th century, speculation about the people that created it has been continuous and inventive. Tales of strongholds in the interior were taken home by the first Portuguese chroniclers of the Swahili coast, and their narratives became part of the geographic lore of the 17th and 18th centuries. In the mid-19th century, the lore was spun into fantastic and mysterious yarns about long-lost riches that lured adventurers and traders. Pikirayi (history, U. of Zimbabwe) aims to set the record straight by examining the growth of precolonial states on the plateau and adjacent regions, with a focus on the their historical and cultural development during the second millennium AD. c. Book News Inc.
