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With his grand scale and richly colored canvases and studies, John William Waterhouse (1849-1917) was one of the most influential painters of the 19th century. In this brilliantly illustrated survey, edited by a leading Waterhouse scholar, the painter's seductive vision of femininity is captured in sumptuous reproductions and illuminated by an engaging and informative text. Published to accompany an important exhibition of the artist's work, the book explores Waterhouse's creative responses to such contemporary concerns as medievalism, the classical tradition, and spiritualism. A comprehensive examination of his life and work, including his well-known painting "The Lady of Shallott, "this volume explores also the artist's connection to the Pre-Raphaelite Brotherhood and his engagement with French art of the period.
A fresh appraisal of one of the most enduringly popular Victorian artists. John William Waterhouse (1849-1917) is one of the most enduringly popular of the Victorian artists, and paintings such as The Lady of Shalott, Hylas and The Nymphs and Ophelia have become icons recognized the world over. With their compelling composition and glowing colour, these works are admired for their beauty and for their power to transport the viewer into a romantic world of myth and legend. At the same time, Waterhouse's wistful heroines also reflect the troubled attitudes of nineteenth-century male artists towards women. In this carefully researched new study, Peter Trippi presents a fresh and absorbing analy...
On the unstable boundaries between "interior" and "exterior," "private" and "public," and always in some way relating to a "beyond," the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature -- from the odd room over the womb, secluded parks, and train compartments, to the city as a world under a cloth -- reveal a common defining feature: these interiors can all be analyzed as codes of a paradoxical, both assertive and fragile, subjectivity in its own unique time and history. They function as subtexts that define subjectivity, time, and history as profoundly ambiguous rea...
This volume presents a comprehensive collection of cuttingedge methods for elucidating the function of new genes and altering gene expression. These readily reproducible techniques can be used either in transient and stable gene splicing applied to worms, flies, trypanosomes, mammals, and plants, or in studying RNA editing mechanisms in a wide range of organisms, including systems that involve the conversion of one base to another and insertion/deletion editing. Topics of interest include stable and transient RNA interference, gene silencing, RNA editing, bioinformatics, small noncoding RNAs, and RNomics. Special attention is given to methods for the identification and characterization of small RNAs involved in RNA interference or modification. Readily reproducible protocols for discovering new genes or altering gene expression.
This book of case studies is designed to assist school boards and administrators in international schools to further develop their governance skills. The premise that underlies it is that they will be more efficient and effective if they take time out of their busy schedules to reflect upon the nature of school governance.
Late Style and its Discontents interrogates the critical cliche of "late style," questioning whether Titian, Beethoven, Goethe and others can usefully be assimilated to one another, as though their particular social and historical circumstances had been transcended by a singular existential predicament.
Fereshte Teyfouri's writings focussing on Sufi thought and mystical concepts are presented with the original Persian texts and an English translation to introduce her poignant view of existence to a wider audience. The poetic miniatures muse on existentialist concepts, stemming from the perspective of her life in Iran and later Germany - and a visceral sense of not belonging - but with the dilemmas of alienation and displacement counterbalanced by the sentiments being expressed using Sufi terms, but sometimes from the standpoint of inanimate objects: tar, blotting paper, the cleansing nature of an eraser. Fereshte Teyfouri, lecturer in Persian at the Westfalische Wilhelms-Universitat, Munster, Persian author and editor, translator for the German courts. Natalie H. Shokoohy (translator) architectural historian.
Over the past decade and a half, Germany has experienced a period of political and cultural turbulence which many have attributed to the combined challenges of unification and globalisation. In response to growing exposure to global markets, politics and migration debates about identity have increasingly been renationalised. At the same time, there has been a notable reappraisal in Germany (and in German Studies) of the regional and global as spaces for the construction of identity. This volume sets out to explore these complex and at times contradictory trends, focusing in particular on developments in Germany since the 1970s, although chapters treating earlier periods are also included. Th...
Poetry. Fiction. Cross-Genre. An "I" between languages. A text between genres. The Austrian grandfather's death triggers an examination of the past, of history, identity, consciousness. Three poems (by Zanzotto, Celan, Rakosi) and three philosophers (Descartes, Leibniz, Mach) become touchstones for the narrator in his attempt to find a language that is impersonal even while saying "I." A life is created through precise particulars in short, anaphoric sentences--with an effect both staccato and hypnotic. But the effort toward the concrete and definite ("I forced myself to use main clauses, nouns, the definite article") stands in tension with the boundlessness encountered in the poems and in thinking where the city turns ship and a yellow flower in Vienna touches the sand dunes of North Africa.