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Provides instructions for painting the inside and outside of the house; discusses shopping for tools and materials, preparing surfaces, and repairing holes and cracks; includes projects using wallpaper and fabrics; and details types of painting techniques including stenciling and dragging.
“How quickly we forget! Not so many decades ago, we were all listening to Vaughn Meader’s First Family album, Steve Martin on LP, or Columbia’s I Can Hear It Now. Alas, spoken word records, like so many aspects of phonography, have been relegated to garage sales and footnotes. Finally, thanks to Jacob Smith’s Spoken Word, this important form of entertainment and culture is receiving the attention it so richly deserves.” —Rick Altman, author of Silent Film Sound “Jacob Smith’s engaging study of spoken word LPs is as revelatory as it is welcome. No other book has so thoroughly explored a phenomenon that was unique to the 1950s and 1960s, when LPs were the only widely available medium that allowed consumers to enjoy repeated exposure to recorded material. —Krin Gabbard, author of Hotter Than That: The Trumpet, Jazz, and American Culture "Smith's work contains historical material that few scholars have studied and many people have never even heard of. ... The grouping of these unique case studies results in new connections to and between various performance styles, materials, and industries." —Susan Murray, author of Hitch Your Antenna to the Stars
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as tele...
A definitive study of the most important decade in post-World War II popular music history
In the mid-twentieth century, certain elements of the American popular music industry (publishers, recording companies, and broadcasters) began to redefine their product as something more than mere entertainment. This became evident in the arguments made by competing sides in a series of clashes that unfolded during that period, starting with the ASCAP-Radio dispute of 1941 and ending with the payola scandal in 1959. Although these disputes typically revolved around economic issues, in making their cases to the public the respective sides often asserted the significant role played by popular music in promoting core national values. While such rhetoric was basically self-serving, when set aga...
Niklas Luhmann is recognised as a major social theorist, and his treatise on the sociology of law is a classic text. For Luhmann, law provides the framework of the state, lawyers are the main human resource for the state, and legal theory provides the most suitable base from which to theorize on the nature of society. He explores the concept of law in the light of a general theory of social systems, showing the important part law plays in resolving fundamental problems a society may face. He then goes on to discuss in detail how modern 'positive' – as opposed to ‘natural’ – law comes to fulfil this function. The work as a whole is not only a contribution to legal sociology, but a major work in social theory. With a revised translation, and a new introduction by Martin Albrow.
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The first mass political parties appeared in the United States in the 1830's, as the majority of adult white males identified ardently with the Democratic and Whig parties. Ronald Formisano opens a window on American political culture in this case study of antebellum voting and party formation in Michigan. Examining the social bases of voter commitment and the dynamics of grass roots loyalties from Jackson to Lincoln, he proposes that the forming of parties had little to do with issues of political economy, but rather with value conflicts generated by the evangelicals' promotion of a moral society. Borrowing from other disciplines, and elaborating some of the analytical techniques used by Le...
A cultural and social study of the origins and evolution of “rocknroll”.