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This book explores new developments in the dialogues between science and theatre and offers an introduction to a fast-expanding area of research and practice. The cognitive revolution in the humanities is creating new insights into the audience experience, performance processes and training. Scientists are collaborating with artists to investigate how our brains and bodies engage with performance to create new understanding of perception, emotion, imagination and empathy. Divided into four parts, each introduced by an expert editorial from leading researchers in the field, this edited volume offers readers an understanding of some of the main areas of collaboration and research: 1. Dances wi...
Includes inclusive "Errata for the Linage book."
An account of the book publisher who is home to more Nobel Prize-winning writers than any other publishing house in the world reveals the era and city that built FSG through the stories of two men--Roger Straus and Robert Giroux.
We often explain the activities of human and non-human animals by referring to their special faculties. But what are faculties? How do they work? And how can they be individuated? This book discusses these questions, covering a wide period from Plato up to contemporary debates about faculties as modules of the mind.