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Theory of the Novel
Comprehensive collections of theoretical essays on various facets of the novel.
Anti-Story
The Anti-Story is an anthology of experimental fiction. It is edited by Philip Stevick. From Simon & Schuster comes a selection of the best experimental fiction in recent decades. Curated and edited by Philip Stevick, Anti-Story: An Anthology of Experimental Fiction is a collection perfect for any lover of creative fiction.
The Novel Today
Britain's most important contemporary authors reflect intelligently and imaginatively on the nature and development of the modern novel.
The Endurance of Frankenstein
MARY SHELLEY's Frankenstein; or, The Modern Prometheus grew out of a parlor game and a nightmare vision. The story of the book's origin is a famous one, first told in the introduction Mary Shelley wrote for the 1831 edition of the novel. The two Shelleys, Byron, Mary's stepsister Claire Clairmont, and John William Polidori (Byron's physician) spent a "wet, ungenial summer in the Swiss Alps." Byron suggested that "each write a ghost story." If one is to trust Mary Shelley's account (and James Rieger has shown the untrustworthiness of its chronology and particulars), only she and "poor Polidori" took the contest seriously. The two "illustrious poets," according to her, "annoyed by the platitud...
The Endurance of Frankenstein
MARY SHELLEY's Frankenstein; or, The Modern Prometheus grew out of a parlor game and a nightmare vision. The story of the book's origin is a famous one, first told in the introduction Mary Shelley wrote for the 1831 edition of the novel. The two Shelleys, Byron, Mary's stepsister Claire Clairmont, and John William Polidori (Byron's physician) spent a "wet, ungenial summer in the Swiss Alps." Byron suggested that "each write a ghost story." If one is to trust Mary Shelley's account (and James Rieger has shown the untrustworthiness of its chronology and particulars), only she and "poor Polidori" took the contest seriously. The two "illustrious poets," according to her, "annoyed by the platitud...
Power to Hurt
William Monroe addresses what William J. Bennett ignores in The Book of Virtues: How do readers use literature as "equipment for living"? Tackling modernism and postmodernism, Monroe outlines "virtue criticism," an alternative to current theory. Focusing on works by T. S. Eliot, Vladimir Nabokov, and Donald Barthelme, he demonstrates that these alienistic texts are not just filled with belligerence but are also endowed with virtues, such as trust and the promise of solidarity with the reader. By considering these vital texts as responses to personal situations and institutional practices, Monroe brings literature back to the common reader and shows how it offers functional responses to the dysfunctional situations of modern life. Readers interested in literary criticism, American culture, and the relationship between ethics and literature will be fascinated by virtue criticism and this fresh look at the virtues and vices of alienation. Chosen as a Choice Magazine's Outstanding Academic Book for 1999.
In Defence of Realism
In Defence of Realism is a powerful indictment of the fog of bad philosophy and worse linguistics that has shrouded much contemporary literary theory and criticism. Raymond Tallis, one of the most important critics of post-Saussurean literary theory in the English-speaking world, examines the reasons often cited by critics and theorists for believing that realism in fiction is impossible and verisimilitude a mere literary ?effect.? He clearly demonstrates not only that the arguments of critics hostile to realism are invalid, but that even if they were sound, they would apply equally to anti-realist fiction, indeed to all intelligible discourse.
The Fictional World of Ruskin Bond
Ruskin Bond, b. 1934, Indo-English litterateur.
Star Authors
In America, authors are as likely to be seen on television talk shows or magazine covers as in the more traditional settings of literary festivals or book signings. Is this literary celebrity just another result of ‘dumbing down’? Yet another example of the mass media turning everything into entertainment? Or is it a much more unstable, complex phenomenon? And what does the American experience tell us about the future of British literary celebrity?In Star Authors, Joe Moran shows how publishers, the media and authors themselves create and disseminate literary celebrity. He looks at such famous contemporary authors as Toni Morrison, J.D. Salinger, Thomas Pynchon, Don DeLillo, John Updike,...
Postmodern Counternarratives
This book provides a wide-ranging discussion of realism, postmodernism, literary theory and popular fiction before focusing on the careers of four prominent novelists. Despite wildly contrasting ambitions and agendas, all four grow progressively more sympathetic to the expectations of a mainstream literary audience, noting the increasingly neglected yet archetypal need for strong explanatory narrative even while remaining wary of its limitations, presumptions, and potential abuses. Exploring novels that manage to bridge the gap between accessible storytelling and literary theory, this book shows how contemporary authors reconcile values of posmodern literary experimentation and traditional realism.
