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A Handbook of Classical Drama
  • Language: en
  • Pages: 550

A Handbook of Classical Drama

Critical study Many an analysis of the plays.

Odysseus, Hero of Practical Intelligence
  • Language: en
  • Pages: 394

Odysseus, Hero of Practical Intelligence

In dramatic representations and narrative reports of inner deliberation the Odyssey displays the workings of the human mind and its hero's practical intelligence, epitomized by anticipating consequences and controlling his actions accordingly. Once his hope of returning home as husband, father and king is renewed on Calypso's isle, Odysseus shows a consistent will to focus on this purpose and subordinate other impulses to it. His fabled cleverness is now fully engaged in a gradually emerging plan, as he thinks back from that final goal through a network of means to achieve it. He relies on "signs"--inferences in the form "if this, then that" as defined by the Stoic Chrysippus--and the nature...

Taking Her Seriously
  • Language: en
  • Pages: 152

Taking Her Seriously

An innovative new analysis of the Odyssey's most influential female character

Roman Comedy
  • Language: en
  • Pages: 185

Roman Comedy

This book explores the social institutions, the prevailing social values, and the ideology of the ancient city-state as revealed in Roman Comedy. "The very essence of comedy is social," writes David Konstan, "and in the complex movement of its plots we may be able to discern the lineaments and contradictions of the reigning ideas of an age." David Konstan looks closely at eight plays: Plautus's Aulularia, Asinaria, Captivi, Rudens, Cistellaria, and Truculentus, and Terence's Phormio and Hecyra. Offering new interpretations of each, he develops a "typology of plot forms" by analyzing structural features and patterns of conventional behavior in the plays, and he relates the results of his literary analysis to contemporary social conditions. He argues that the plays address tensions that were potentially disruptive to the ancient city-state, and that they tended to resolve these tensions in ways that affirmed traditional values. Roman Comedy is an innovative and challenging book that will be welcomed by students of classical literature, ancient social history, the history of the theater, and comedy as a genre.

The Classical Roman Reader
  • Language: en
  • Pages: 488

The Classical Roman Reader

A collection of the finest and most important writing of the Roman period, this title gives the reader access to a diversity of texts that shaped Roman thinking and provided the foundations of Western culture. 49 halftones.

Catalog of Copyright Entries. Third Series
  • Language: en
  • Pages: 1666
An Anthology of Roman Drama
  • Language: en
  • Pages: 356

An Anthology of Roman Drama

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The Third Kind of Knowledge
  • Language: en
  • Pages: 332

The Third Kind of Knowledge

His friendship with Agee, and also with Flannery O'Connor (whose literary executor he became) as well as with other literary figures such as John Berryman, Allen Tate, and Caroline Gordon flourished during this period. In the early fifties he moved with his family to Italy, where he worked for six years on his celebrated translation of the Odyssey. His other classical translations - the Iliad, the Aeneid, and his translations of Euripides and Sophocles, several done in collaboration with Dudley Fitts - have become the signal translations of our time. A renowned teacher as well as poet and scholar, Fitzgerald taught, over the years, at such institutions as Sarah Lawrence, Princeton, The New School, Mount Holyoke, and The University of Washington. His career culminated at Harvard where, in 1965, he was named Boylston Professor of Rhetoric and Oratory. For fifteen years his course in Versification influenced a generation of young poets, and his seminar in "Homer, Virgil, and Dante" a generation of young scholars.

Reading Homer
  • Language: en
  • Pages: 259

Reading Homer

These nine new essays on Homer's epics deal not only with major Homeric themes of time (honor), kleos (fame), geras (rewards), the psychology of Homeric warriors, and the re-evaluation of type scenes, but also with Homer's influence on contemporary film. Following the introduction and an essay which sets the historical background for the epics, four essays are devoted to fresh analysis of key passages and themes while another four turn to a discussion of the film Troy and Homer's influence on two other genres of American cinema.