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Bringing together researchers in modern British religious, political, intellectual and social history, this volume considers the persistence of the Church's public significance, despite its falling membership.
This book is both an examination of one of the dominant figures of twentieth-century British politics, and a contribution to the understanding of political leadership and Conservative ideology. It reinterprets the career of Stanley Baldwin, Conservative leader 1923-37 and three times prime minister, in terms of his construction of a "public character," his exploitation of the new mass media, and his exposition of a distinctive Conservative doctrine and language. Baldwin's remarkable ascendancy is shown to have been based on his manipulation of widely-held "national values."
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As Conservative party leader from 1923 to 1937 and three times prime minister, Stanley Baldwin was one of the pre-eminent public figures of interwar Britain. This edition of his letters, reports of his private conversations and related documents and illustrations, has two purposes. It publishes sources giving considerable insight into the nature and conduct of Conservative politics and government, with inside accounts of such national events as the destruction of the Lloyd George coalition, the protectionist election, and the Abdication. It also provides a documentary life and portrait of an intriguing, much-liked but controversial statesman. The personal qualities of few modern politicians have aroused so much puzzlement and criticism as Baldwin's. This volume will therefore be indispensable for understanding his character and career and for future studies of British politics and public life in the 1920s and 1930s.
This book is both an examination of one of the dominant figures of twentieth-century British politics, and a contribution to the understanding of political leadership and Conservative ideology. It reinterprets the career of Stanley Baldwin, Conservative leader 1923-37 and three times prime minister, in terms of his construction of a "public character," his exploitation of the new mass media, and his exposition of a distinctive Conservative doctrine and language. Baldwin's remarkable ascendancy is shown to have been based on his manipulation of widely-held "national values."
When first published in 1963, this interpretation of Mill's thought caused much controversy.
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Eighteen leading philosophers offer critical assessments of Timothy Williamson's ground-breaking work on knowledge and its impact on philosophy today. They discuss epistemological issues concerning evidence, defeasibility, scepticism, testimony, assertion, and perception, and debate Williamson's central claim that knowledge is a mental state.
"Like all my favorite art, these paintings bring out that covetous feeling. I want to wear them, dance to them, show them off as an example of how life feels to me: dirty, dumb, terrifying, spiritual, and so funny."—Miranda July "In a time of ironic detachment, Margaux Williamson is a painter of extreme candor, but the violence of her vision is cut with wonder and love. Sometimes she recalls Phillip Guston, sometimes she's like a Pittsburgh-born van Gogh; usually she reminds me of nobody at all. Seeing as she sees feels like waking up."—Ben Lerner From the artist the Toronto Star called "one of the best artists of her generation," and whose 2010 movie Teenager Hamlet was praised by the l...