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The Lower to Middle Palaeolithic Transition in Northwestern Europe
A well‐preserved early Middle Palaeolithic site set against a wider northwestern European context The shift from Lower to Middle Palaeolithic in northwestern Europe (dated to around 300,000–250,000 years ago) remains poorly understood and underexplored compared to more recent archaeological transitions. During this period, stone tool technologies underwent significant changes but the limited number of known sites and the general low spatio‐temporal resolution of the archaeological record in many cases has impeded detailed behavioural inferences. Brickyard‐quarrying activities at Kesselt‐Op de Schans (Limburg, Belgium) led to the discovery and excavation of a well‐preserved early ...
Knowledge, Normativity and Power in Academia
Despite its capacity to produce knowledge that can directly influence policy and affect social change, academia is still often viewed as a stereotypical ivory tower, detached from the tumult of daily life. Knowledge, Normativity, and Power in Academia argues that, in our current moment of historic global unrest, the fruits of the academy need to be examined more closely than ever. This collection pinpoints the connections among researchers, activists, and artists, arguing that--despite what we might think--the knowledge produced in universities and the processes that ignite social transformation are inextricably intertwined. Knowledge, Normativity, and Power in Academia provides analysis from both inside and outside the academy to show how this seemingly staid locale can still provide space for critique and resistance.
Medialities
Cultural, social and economic production is always medially constituted, since it is formed through processing, storage and transmission of certain data or materials. This is why the concept of mediality can be used to stress the performative character of all culture, whose multiplicity of techniques conversely interacts with the mediality in question. The contributors focus on a given cultural medium's genuine structure as a particular deployment without falling into some kind of hardware determinism, therefore considering culture beyond textuality.
Poetic Critique
Poetic critique – is that not an oxymoron? Do these two forms of behavior, the poetic and the critical, not pull in different, even opposite, directions? For many scholars working in the humanities today, they largely do, but that has not always been the case. Friedrich Schlegel, for one, believed that critique worthy of its name must itself be poetic. Only then would it stand a chance of responding adequately to the work of art. Taking Schlegel’s idea of poetische Kritik as a starting point, this volume reflects on the possibility of drawing these alleged opposites closer together. In light of current debates about the legacy of critique, it investigates whether a concept such as poetic critique (or poetic criticism) lends itself to enriching our intellectual practice by engaging with the poetic potential of criticism and the critical value of art and literature.
Identity and identification
The present volume includes the Proceedings of The 14 th International ‘Culture and Power’ Conference, organized by the University of Castilla-La Mancha and held in Ciudad Real, Spain, between 22 and 24 March, 2010 under the auspices of The Iberian Association for Cultural Studies (IBACS). The collection incorporates a selection of the papers presented. The conference revolved around the topic of ‘identity’ and ‘identification’, which, in the contributions, is explored in various cultural products across a wide range of social and national contexts. Identity and identification processes are examined as interrelated with other social and cultural dimensions. Readings echo a multiplicity of theoretical approaches, the number of issues contemplated being representative of the relevance of identity and identification processes as crucial analytical perspectives for cultural studies today.
An Incomplete Organum for Documenting Works of Art
An Incomplete Organum for Documenting Works of Art consists of twenty-six impulses in the form of hypotheses, questions, considerations and falsities. The Organum's purpose is to provoke exchanges about common and uncommon practices for documenting artistic works, and is for artists, scholars, academics and anyone interested.
The Legacies of The Basin of Mexico
This volume celebrates the continuing impact of the most notable contributions from The Basin of Mexico: The Ecological Processes in the Evolution of a Civilization by William T. Sanders, Jeffrey R. Parsons, and Robert S. Santley. In 1979, this influential work synthesized the results of the Basin of Mexico survey projects and follow-up excavations at several sites, while providing theoretical and methodological lines of research in central Mexico and generally in Mesoamerica. More than four decades after that book’s publication, the fourteen contributions in this volume review and analyze its theoretical and methodological influence in light of recent research across disciplines. Among a ...
Atmosfears: The Uncanny Climate of Contemporary Ecofiction
We live in a critical moment in history, often called the »Anthropocene«, that is defined by unprecedented scales of uncertainty. Natalie Dederichs draws on insights from the new materialisms about the entangled nature of planetary existence and combines them with approaches to aesthetics from fields as diverse as reader-response criticism, phenomenology, Gothic and media studies. She introduces a poetics of atmospheric re(lation)ality as a necessary component of any ecological engagement with fiction that fully embraces literary encounters with the inaccessible and elusive as expressed in uncanny atmospheric reading experiences.
