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The Ideal Museum
Philippe Daverio is one of Italy's most important contemporary art historians, whose discerning comments about art are voraciously consumed by the public through his writing as editor of the famed magazine Art e Dossier and his platform on a leading Italian television program Passepartout. Now, in his first full-length work of narrative nonfiction, Daverio uses the conceit of creating his own perfect museum gallery and in the process reexamines major artistic masterpieces of Western art. Daverio turns his critical eye on the place of Western art in contemporary twenty-first-century culture and how we relate to art generally. According to Daverio, we relate to the history of art based on views that crystallized in the nineteenth century, and so we look to the past to understand the present, though the present is what truly matters to everyone. Daverio means to challenge this perspective, and guided by his curiosity and personal taste, he examines key masterworks to rediscover the true meaning and power they had before they became commoditized and clich�d.
Gardens and Ghettos
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Lombardy
The art and architectural gems of Italy’s Lombardy region. Lombardy is one of the least-known regions of Italy, and yet it holds a great many surprises for lovers of nature and art, boasting splendid villas and gardens along the banks of Lake Como and Lake Garda, medieval villages, countless monuments and buildings, and statues and paintings dotted all across the region, from the plains south of the city to the foothills of the Alps in the north.The many marvelous places that one will discover through the eyes of this well-loved art critic include the Romanesque basilica of San Pietro al Monte perched high on a mountainside; the fabulous marquetry designs by Lorenzo Lotto in Bergamo Cathedral; the prehistoric rock etchings in the Valcamonica; Mario Botta’s stunning Santa Maria degli Angeli chapel on Monte Tamaro; the eighteenth-century villa of Balbianello on Lake Como; and, not least, the Romanesque church of San Michele in Pavia.
Fascist Visions
Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art functioned as the expression of fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of ...
Futurism, 1911-1918
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Made in Italy
The publication Made in Italy analyses history, dynamics and future in Italian design through four aspects: aesthetics, economy, communication and project. About the first three aspects, there are contributions by Laura Biagiotti, Massimo d'Alessandro, Philippe Daverio, Peppino Ortoleva, Vanni Pasca, Andrea Piersanti, Alberto Pratesi and Maurizio Stecco. Three generations of Italian design witnesses are collected in the third section and are signed by great designers: Mario Bellini, Andrea Branzi, Carlo Colombo, Stefano Giovannoni, Enzo Mari and Alessandro Mendini. Their texts are accompanied by product images elicited by their recent Made in Italy production. The final section is formed by a wide range of Made in Italy historic images and products, chronologically ordered from 1950 to 1990.
The Vertigo Years
A panorama of Europe, 1900-1914, describing the cultural, economic and political life before the First World War. Europe, early in the twentieth century: a world adrift, a pulsating era of creativity and contradictions. But did this era vanish in the trenches of the Somme, of Ypres, and of Passchendaele? Look closer and the more this world seems like ours: feminism, democratisation, commercial branding, genetics, consumerism and racism, radioactivity and psychoanalysis are all terms first used during this period. This was a time in which old certainties broke down and many people lost their bearings. At the heart of this vibrant Europe, was a contradiction that would cause its collapse: the ...
Art and philosophy of peace Fronteversismo ®️ By Giuseppe Siniscalchi
Art and philosophy of peace Fronteversismo new art philosophy movement , co- authors : preface : Annamaria Mauro director of the National Museum of Matera , Texts by Charles Alphonse OFM Cap , serving in Rome as General Secretary for formation at the Capuchin Generalate , Margherita Cosentino art historian professor , Gemma Maria Gualdi Deputy Attorney General of the Republic at the Court of Appeals of Milan , Gabriele Guglielmino art professor and critic , Luciano Mazzocchi missionary and writer , Mimmo Muolo Vaticanist and deputy head of the Roman editorial staff of the newspaper Avvenire and writer , Giuseppe Siniscalchi lawyer and painter founder of Fronteversismo art and philosophy move...
Monumental Lies
How statues, heritage and the built environment have become the battleground for the culture wars The past is weaponised in culture wars and cynically edited by those who wish to impose their ideology upon the physical spaces around us. Holocaust deniers use details of the ruins of the gas chambers Auschwitz to promote their lies: ‘No Holes; No Holocaust’. Yet long-standing concepts such as ‘authenticity’in heritage are undermined and trivialised by gatekeepers such as UNESCO. At the same, time, opposition to this manipulation is being undermined by cultural ideas that prioritise memory and impressions over history and facts. In Monumental Lies, Robert Bevan argues that monuments, ar...
Decolonial Ecologies
In Decolonial Ecologies: The Reinvention of Natural History in Latin American Art, Joanna Page illuminates the ways in which contemporary artists in Latin America are reinventing historical methods of collecting, organizing, and displaying nature in order to develop new aesthetic and political perspectives on the past and the present. Page brings together an entirely new corpus of artistic projects from Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, and Peru that engage critically and creatively with forms as diverse as the medieval bestiary, baroque cabinets of curiosities, atlases created by European travellers to the New World, the floras and herbaria composed by eighteenth- and nin...
