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Founded in 1781 by pioneers from what is today northern Mexico, El Pueblo de Los Angeles mirrors the history and heritage of the city to which it gave birth. When the pueblo was the capital of Mexico’s Alta California, the region’s rancheros came here to celebrate mass or to attend fiestas in the historic Plaza. Following California’s statehood in 1850, the pueblo for a time ranked among the most lawless towns of the American West. American speculators, wealthy rancheros, and Italian wine merchants crowded its dusty streets. The town’s first barrio and the vibrant precincts of Old Chinatown soon grew up nearby. As Los Angeles burgeoned into a modern metropolis, its historic heart fel...
Pulp According to David Goodis starts with six characteristics of 1950s pulp noir that fascinated mass-market readers, making them wish they were the protagonist, and yet feel relief that they were not. His thrillers are set in motion by suppressed guilt, sexual frustrations, explosions of violence, and the inaccessible nature of intimacy. Extremely valuable is a gangster-infested urban setting. Uniquely, Goodis saw a still-vibrant community solidarity down there. Another contribution was sympathy for the gang boss, doomed by his very success. He dramatizes all this in the stark language of the Philadelphia’s “streets of no return.” The book delineates the noir profundity of the author...
Grayson Hall was a widely acclaimed New York Theatre actress, 1964 Academy Award nominee, and co-star of the 1960s?70s Gothic television serial, Dark Shadows. Here for the first time is a survey of her life and career which takes place in the world of New York writers and artists beginning in the early 1950s; a world that revolved around serious intellectual discourse, cocktails, cigarettes and theatre! Grayson's own story is that of a hugely talented woman, admired by writers, producers, fellow actors, but who did not get the one role that would propel her into the stratosphere. Nevertheless, with the roles she did inhabit, she became an iconic figure. This book reaches back to Grayson's ea...
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This conference proceedings shows that the migration flows within and from the CEECs are much more complex than a straightforward westward flow towards the European Union and North America.
Winter 1948. Vienna. Debriefed by London Films, former spy turned novelist Graham Greene works on the screenplay for his next feature film, assisted by the enigmatic Elizabeth Montagu. However, Greene’s visit soon proves to be just as mysterious as his best-selling thrillers, winding through Vienna’s shadowy underground before the author finds himself in the midst of an intricate plot to unseat the government of Czechoslovakia in an event that would be remembered as The Prague Coup. Jean-Luc Fromental seamlessly merges fact and fiction in a spy thriller worthy of its protagonist, Graham Greene, who finds himself caught in a web of intrigue, espionage, and murder while writing the screenplay that would become the 1949 classic ‘The Third Man’ starring Orson Welles. “This will hook you from its opening panels. Plenty of intrigue, a killer plot, and evocative visuals. What more could you want?” – LA Review of Books
Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American “lost generation” and an examination of ...
How did psychoanalysis attain its prominent cultural position? This book reconstructs the early controversies surrounding psychoanalysis and shows that rather than demonstrating its superiority, the Freudians rescripted history. This was not incidental, but formed the core of psychoanalytic theory. The Freud Files reveals how psychoanalysis is vulnerable to its past.