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Nothing Mat(t)ers
Nothing Mat(t)ers is a feminist critique of the theories of Foucault, Derrida, and Lacan, among others. Somer Brodribb analyzes the texts and the arguments that post-structuralism has nominated as central, in the process exposing the misogyny at their core. Brodribb provides a history of definitions of structuralism, post-structuralism, deconstruction, and postmodernism. She considers feminist encounters with structuralism and existentialism. She evaluates the originality of Foucault's contributions and discusses feminist responses to his work. Turning to Derrida, she considers his fixation with dissemination and demeaning versus conception and new embodiment. She contrasts the work of Lacan and Irigaray on ethics before turning to the work of de Beauvoir, O'Brien, and other feminists as an authentic alternative to postmodern critical theory.
Personal Matters
This book studies identity formation and transformation in twentieth-century China by focusing on women's autobiographical writing.
Art Nouveau in Fin-de-Siecle France
Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.
The Class
Winner of the Prix France Culture/Télérama prize, The Class explores timely issues of race, class, identity, colonial history, immigration, and education, "suspend[ing] judgment and liberat[ing] the raw words of kids in a deconsecrated classroom" (Le Monde). The novel's eponymous film version, directed by Laurent Cantet, starring author Bégaudeau as himself, won the Palme d'Or at the 2008 Cannes Film Festival and was nominated for the 2009 Academy Award for Best Foreign Language Film.
Current Catalog
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Building an Archaeology of Maya Urbanism
Building an Archaeology of Maya Urbanism tears down entrenched misconceptions of Maya cities to build a new archaeology of Maya urbanism by highlighting the residential dynamics that underwrote one of the most famous and debated civilizations of the ancient Americas. Exploring the diverse yet interrelated agents and processes that modified Maya urban landscapes over time, this volume highlights the adaptive flexibility of urbanization in the tropical Maya lowlands. Integrating recent lidar survey data with more traditional excavation and artifact-based archaeological practices, chapters in this volume offer broadened perspectives on the patterns of Maya urban design and planning by viewing b...
Theology after Lacan
This groundbreaking volume highlights the continuing relevance of Jacques Lacan (1901-1981), a French psychiatrist and psychoanalyst whose linguistic reworking of Freudian analysis radicalised both psychoanalysis and its approach to theology. The book's fi rst section, Part I: Lacan, Religion, and Others, explores the application of Lacan's thought to the development and phenomena of religion. Part II: Theology and the Other Lacan moves through the physical world and into the metaphysical, probing theological issues and ideas of today's world with curiosity and in the light of Lacan. In both parts I and II, a central place is given to Lacan's exposition of the real, thereby refl ecting the i...
A Gallery of Combustion and Fire
The first book to present a full-color visual panorama of combustion images along with explanatory and tutorial overviews.
Ethics of the Real
The idea of Kantian ethics is both simple and revolutionary: it proposes a moral law independent of any notion of a pre-established Good or any 'human inclination' such as love, sympathy or fear. In attempting to interpret such a revolutionary proposition in a more 'humane' light, and to turn Kant into our contemporary—someone who can help us with our own ethical dilemmas—many Kantian scholars have glossed over its apparent paradoxes and impossible claims. This book is concerned with doing exactly the opposite. Kant, thank God, is not our contemporary; he stands against the grain of our times. Lacan on the face of it appears the very antithesis of Kant—the wild theorist of psychoanalysis compared to the sober Enlightenment thinker. His concept of the Real, however, provides perhaps the most useful backdrop to this new interpretation of Kantian ethics. Constantly juxtaposing her readings of the two philosophers. Alenka Zupan?i? summons up an 'ethics of the Real', and clears the ground for a radical restoration of the disruptive element in ethics.
