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A Student Edition of this 2021 play, exploring its themes of sexuality, emigration and time, as well as its use of drag and other queer performance aesthetics.
Michael hasn’t been home in almost twenty years. Having been kicked out of the seminary and exiled from his family home, he found himself in London, by accident rather than design. But now, the death of his mother sees him back in the small town where he grew up. The place that chewed him up and spat him out. Reunited with his two brothers, their partners and the local clergy, there are questions that want answering and old scores that need laying to rest. Where do you find home, when your family and faith have abandoned you? An Irish funeral brings out the best and worst in people, and a long night of truths lies ahead.
Analysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually or in tension with one another, the essays confront the contemporary complexities of analysing gender in performance.
Captioned images of noteworthy people and events which chronicle the history and achievements of the black community of Tallahassee, Florida.
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This book charts the journey, in terms of both stasis and change, that masculinities and manhood have made in Irish drama, and by extension in the broader culture and society, from the 1960s to the present. Examining a diverse corpus of drama and theatre events, both mainstream and on the fringe, this study critically elaborates a seismic shift in Irish masculinities. This book argues, then, that Irish manhood has shifted from embodying and enacting post-colonial concerns of nationalism and national identity, to performing models of masculinity that are driven and moulded by the political and cultural practices of neoliberal capitalism. Masculinities and Manhood in Contemporary Irish Drama c...
Multiple award-winning Mark O'Halloran is one of Ireland's most celebrated writers. Two play spanning 12 years of work come together in one published edition to coincide with the New York premiere in January 2023. CONVERSATIONS AFTER SEX You remind me of someone though. I mean you're not like him. Not physically like him. Nowhere near. But there's something there. Your voice or how you hold yourself. Your hands. In a series of unexpected and unguarded conversations after anonymous sexual encounters, a woman discovered men with the same deep need to communicate and connect in the lonely, atomised city. 'A portrayal of grief that is unforgettable in its rawness' - The Guardian TRADE “This is just this. It isn't real. It's money.” In a guesthouse in Dublin's north inner city, a vulnerable and confused young rent-boy sits with a middle-aged client. It's not the first time they've met but today the older man has blood on his shirt. A lot has happened since they last met. 'It closes around your heart like a fist' - The Irish Times
An epic family drama, shot through with dark humour, The Last Days of a Reluctant Tyrant tells the tragic story of a family disintegrating, having lost its moral values. Arina is an ambitious woman. As a servant girl she marries into the degenerative family she works for; her ruthless energy saves it from bankruptcy and she expands the family estate into an 'empire'. As matriarch she rules with an iron hand, her avarice insatiable, until she questions what it is all for. She slackens her hold and loses her power to the hypocrisy and relentless grasping of her 'chosen son'. Inspired by The Golovlyov Family by Mikhail Saltykov-Shchedrin, The Last Days of a Reluctant Tyrant is a haunting new work from leading Irish dramatist Tom Murphy, who has worked closely with the Abbey Theatre throughout his career. The play premiered at the Abbey Theatre, Ireland, on 3 June 2009.
This directory gives the reader mailing addresses of over 20,000 celebrities in the fields of entertainment, sports, business & politics. In addition, this directory gives biographical data such as birthdays, charities, hobbies and awards of the celebrities listed. Also included are question and answers to common letter writing techniques for the autograph collector, fundraiser or anyone wishing to contact a celebrity.
Ellen thought she’d end her life where it began – in a rundown flat in Dublin’s north inner city. Now her building is sold, and she’s being moved into a box room in her snooty sister’s house in the suburbs. When an unexpected visitor lands in her front room, Ellen is forced to delve into the past in order to lay some ghosts to rest. From the writers of Alice in Funderland, Town is Dead is a living room musical, an ode to Dublin and an exploration of how Ireland treats its people. It looks at the future of the city through the eyes of one older citizen. Town is Dead has been nominated for 5 Irish Theatre Awards 2017, including Best New Play.