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William Rimmer (1816–1879) is arguably the first modernist American sculptor, although his inventive originality has not been fully acknowledged. Rimmer cultivated an art of ideas and personal expression whilst supporting himself as a physician and, later, as a teacher of art anatomy at the Cooper Union School of Design for Women in New York. Unlike his contemporaries, he advocated the creation of sculpture drawn entirely from the artist’s imagination, as opposed to antique archetypes or live models. In this way, he sought to reframe excellence in American art as something that must be found within, rather than derived from Europe. In this new monograph, the meaning of Rimmer’s works i...
Early American painter Gilbert Stuart has long been mistakenly represented as a hard-drinking rogue, habitual liar, and inexplicable financial failure. To explain his stylistic unevenness as an artist, he is assumed to have had an inferior assistant, but the documentary evidence for an assistant who painted on his portraits is non-existent-in fact, there is evidence to the contrary. This ground-breaking study demonstrates that Stuart suffered from a hereditary form of manic depression, leading him to create pictures that contain peculiar lapses characteristic of a manic-depressive, or bipolar, artist. Using documentary and empirical evidence-from diaries and letters to x-radiographs of paint...
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Two men meet in an airport men's room ("Excuse me. But you're pissing on my foot.") sometime in the early 1990s in the Arabian Gulf. From this meeting, they proceed to get a bit drunk on bad liquor, discover a magical hidden room, get transported back to the Ireland of the late 1940s and '50s, rummage through memories of their days at Trinity College (though they apparently never knew each other), and fumble about like Laurel and Hardy trying to make a degree of sense of what's happening (or did happen) to them. As oblique and deliciously Irish as Joyce and Beckett, and drawing upon the time warps of Flann O'Brien, Bernard Share has composed an hallucinatory and comic romp through Ireland past and present.
Power amplifiers and their performance lie at the heart of audio engineering and provide some challenging problems for the engineer. Ben Duncan's experience, as an audio consultant, analog electronics designer and author, give him an unique insight into this difficult but rewarding field. Linking analog electronics, acoustics, heat and music technology; high-end hi-fi and professional PA and recording studio use; theory, modelling and real-world practice; design and repair; the old and the new, the mainstream and the specialised, this comprehensive guide to power amps is a core reference for anyone in the industry, and any interested onlookers. Ben Duncan is well known to many users of audio...
Despite its widespread popularity in antebellum America, phrenology has rarely been taken seriously as a cultural phenomenon. Charles Colbert seeks to redress this neglect by demonstrating the important contributions the theory made to artistic developmen
“Power Electronics in Smart Electrical Energy Networks” introduces a new viewpoint on power electronics, re-thinking the basic philosophy governing electricity distribution systems. The proposed concept fully exploits the potential advantages of renewable energy sources and distributed generation (DG), which should not only be connected but also fully integrated into the distribution system in order to increase the efficiency, flexibility, safety, reliability and quality of the electricity and the networks. The transformation of current electricity grids into smart (resilient and interactive) networks necessitates the development, propagation and demonstration of key enabling cost-competitive technologies. A must-read for professionals in power engineering and utility industries, and researchers and postgraduates in distributed electrical power systems, the book presents the features, solutions and applications of the power electronics arrangements useful for future smart electrical energy networks.
Best-selling horror novelist Clive Barker's 1987 film Hellraiser has become an undisputed horror classic, spawning a movie franchise that to date includes eight films. Exploring not only the cinematic interpretations of the Hellraiser mythos but also its intrusion into other artistic and cultural forms, this volume begins by identifying the unconventional sources of Barker's inspiration and following Barker from his pre-Hellraiser cinematic experience through the filming of the horror classic. It examines various themes (such as the undermining of the traditional family unit and the malleability of the flesh) found throughout the film series and the ways in which the representation of these themes changes from film to film. The religious aspects of the films are also discussed. Characters central to the franchise--and the mythos--are examined in detail.